The Photographic Archive was founded in 1964 with the desire to document British art and provide a photographic service for scholars. The current size of the photographic archive is estimated to be about 185,000 reference photographs with about 30,000 negatives. The overall focus of the subject matter remains in the 18th century with particularly strong holdings for key artists such as Reynolds, Gainsborough, Constable and Ramsay.
Paul Mellon Centre Photographic Archive
A collection of approximately 150,000 reference photographs of British paintings, decorative painting, sculpture, drawings and prints covering the period 1500-1900 with some files into the twentieth Century. It has a particular emphasis on the eighteenth century. The images were collected by staff from a variety of sources including, in particular, in-house photography undertaken by the Centre in relation to its publication activities; the Courtauld photographic survey and sales catalogues. Images have been mounted on card and include provenance information. The majority of the images are black and white. The collection contains the following sequences:
Artists A-Z ; Unidentified Artists; Sculptors A-Z ;Sculpture by location; Decorative painting; Sketchbooks, Albums of drawings, rare books & collections of prints and drawings; Paul Mellon Collection of Paintings; Paul Mellon Collection of Prints and Drawings; Sculpture in the Caribbean;
Active collecting of images for the Paul Mellon Centre Photographic Archive ended in December 2013.
Tate Photographic Archive
A collection of approximately 35,000 reference photographs of British paintings, drawings and prints covering the period 1500 to the twentieth century. The reference resource was created, compiled and used by curators working at Tate and acquired by the Paul Mellon Centre in 2009. The collection comprises a single sequence of ca.350 boxes arranged alphabetically by artist. Material concerning some of the major artists (including Turner, for example) was not transferred at the time of acquisition.
Both collections have been completely catalogued. To browse the records, search by artist name on the library catalogue. Please note that the number of mounts in the file is not indicated on the catalogue. It is also possible to search the Paul Mellon Centre collection by subject, sitter, British and foreign locations using a card index which is available to in-person visitors.
Future of the Photographic Archive
The Centre is a proud supporter of the Recommendations for the Preservation of Analogue Photo Archives laid out in UNESCO's Florence Declaration, and is collaborating with the International Digital Photo Archive Consortium to ensure the Photographic Archive's continued relevance and availability as a study resource.