• At the Autumn 2009 meeting of the Centre’s Advisory Council the following Grants were awarded:

Curatorial Research Grants 

Bath Spa University, to help support a curator for four months to work on an exhibition ‘Wyndham Lewis, 1882-1957’ at the Fundación Juan March in Madrid.

British Museum, Department of Greece and Rome, to help support a research curator for three years to catalogue Antiquarian Drawings in the British Museum.

The National Trust, to help support a curator for three years to research and catalogue the National Trust’s Tapestry Collection.

Royal Collection, to help support a part-time research curator for three years to revise Oliver Millar's Catalogues of the Tudor, Stuart and Georgian Pictures in the Royal Collection.

Greg Sullivan, to help support a researcher for one year to work on an online version of the Biographical Dictionary of Sculptors in Britain 1660-1851.

Educational Programme Grants

University of Birmingham, grant towards a conference, 23-24 April 2010: Modernism and Utopia: Convergences in the Arts.

Courtauld Institute of Art, grant towards a conference, 4-5 June 2010: New Approaches to British Art, 1939-1969.

Northwestern University, Mary and Leigh Block Museum of Art, grant towards a symposium, 27 February 2010: A Room of Their Own: The Bloomsbury Artists in American Collections.

National Portrait Gallery, grant towards a conference, 2-4 December 2010: Tudor and Jacobean Painting: Production, Influences and Patronage.

University of Plymouth, grant towards a conference, 8-9 January 2010: Sir Joshua Reynolds: The Acquisition of Genius.

Royal Cambrian Academy of Art, grant towards a study programme, November 2009: An Artistic Inheritance: the legacy of Welsh artist Richard Wilson, the father of British Landscape Painting.

Research Support Grants

John Barrell, for research in the United Kingdom on ‘Edward Pugh's Denbighshire’.

George Breeze, for research in the United Kingdom on ‘The Craftsman Painter: Joseph Southall and the Tempera Revival’.

Luca Caddia, for research in the United Kingdom on ‘Sub Rosa Aeternitatis: Alma-Tadema and the Collection of Identity’.

Viccy Coltman, for research in India on ‘Scots in India’.

Sonja Drimmer, for research in the United Kingdom on ‘The Visual Language of Vernacular Manuscript Illumination: John Gower's Confessio Amantis’.

Katharine Eustace, for research in the United Kingdom on ‘Hew Lorimer (1907-1993), A Sculptor's Life in Context’.

Kristen Fairey, for research in the United Kingdom on ‘Tres testimonium dant: The Architecture and Rhetoric of Sir Thomas Tresham's three lodges of the 1590s’.

Ivelin Ivanov, for research in the United Kingdom on ‘Between Imagination and Reality: War in 13th - 15th Century English Gothic Manuscripts’.

Roy Kozlovsky, for research in the United Kingdom on ‘The Architecture of Childhood: English modernism and the Welfare State’.

Caroline Malloy, for research in the United Kingdom on ‘A Bit of Irish for Everyone: Visual and Material Fragments of Irishness at International Exhibitions, 1851-1939’.

Bénédicte Miyamoto, for research in the United Kingdom on ‘The Value of Art in Eighteenth-century Britain: moral, aesthetic and economic perspectives’.

David Taylor, for research in the United Kingdom on ‘Theatre and Graphic Satire, 1737-1837. 

Publication Grants (Author) 

Alison Brisby, towards the cost of publishing George Howard, 9th Earl of Carlisle (1843-1911).

Sarah Burnage & Laura Turner, towards the cost of publishing William Etty RA.

Elizabeth Chang,towards the cost of publishing Britain's Chinese Eye: Literature, Empire and Aesthetics in the Nineteenth Century.

Martin Cook, towards the cost of publishing Edward Prior (1852-1932): Architect, scholar and gentleman.

Richard Cork, towards the cost of publishing Mercy, Madness, Pestilence and Hope: A History of Western Art and Hospitals.

Gordon Crosskey,towards the cost of publishing Old Sheffield Plate: A History of the 18th Century Plated Trade.

Elizabeth Eger, towards the cost of publishing Bluestockings Displayed: portraiture, performance and patronage, 1730-1830.

Douglas Fordham, towards the cost of publishing Allegiance and Autonomy: British Art and the Seven Years' War.

Tim Fulford, towards the cost of publishing ‘The Banks of Wye’: A Critical Edition of a Picturesque Sketchbook, Journal and Poem.

Hilary Grainger, towards the cost of publishing The Architecture of Sir Ernest George and Partners.

Albert Grimstone, towards the cost of publishing Building Pembroke Chapel: Wren, Pearce and Scott.

Christiane Hille, towards the cost of publishing In ‘Britainnes glorious eye’: Changing Images of the Courtly Body in Stuart Masque and Painting.

Holger Hoock, towards the cost of publishing Empires of the Imagination: Politics, War and the Arts in the British World, 1750-1850.

Alex Kidson, towards the cost of publishing Early British Paintings in the Walker Art Gallery and at Sudley House.

Leonee Ormond, towards the cost of publishing Linley Sambourne.

Lene Østermark-Johansen, towards the cost of publishing Walter Pater and the Language of Sculpture.

Christiana Payne, towards the cost of publishing John Brett.

Amy Sargeant, towards the cost of publishing The Servant.

Kevin Sharpe,towards the cost of publishing Rebranding Rule: Images of Restoration and Revolution Monarchy, 1660-1714.

Frances Spalding, towards the cost of publishing The Art of Prunella Clough: Regions Unmapped.

Margaret Willes, towards the cost of publishing Circles of Cultivation: Gardeners and Gardens 1560-1660.

Publication Grants (Publisher)

Agnes Etherington Art Centre, towards the cost of publishing John Bonehill, Barbara Klempan, David de Witt, Janet M. Brooke, View of Gibraltar: Wrong or Wright.

Antiquarian Horological Society (AHS), towards the cost of publishing Ian White, English Clockmakers Trading in the Chinese and Ottoman Markets, 1580-1815.

Ashgate Publishing Company, towards the cost of publishing Lene Østermark-Johansen, Walter Pater and the Language of Sculpture.

Ashgate Publishing Company, towards the cost of publishing Helen Hills (Ed.) Reframing the Baroque.

Barber Institute of Fine Arts, towards the cost of publishing Christiana Payne & Ann Sumner, Objects of Affection: Pre-Raphaelite Portraits by John Brett.

Birmingham Museum and Art Gallery,towards the cost of publishing Colin Cruise, The Poetry of Drawing: Pre-Raphaelite Designs, Studies and Watercolours.

British Art Journal,towards the cost of publishing Robin Simon (Ed.)The British Art Journal, 10th Anniversary Special Issue.

Church Monuments Society, towards the cost of publishing Sally Badham,'A painted canvas funeral monument of 1615 in the Society of Antiquaries of London and its comparators'.

Corpus Vitrearum Medii Aevi (CVMA), towards the cost of publishing Tim Ayers, The Medieval Stained Glass of Merton College, Oxford.

Frontier Publishing, towards the cost of publishing Geoff Archer, The Glorious Dead: Figurative Sculpture of the British First World War Memorials.

IHS BRE Press, towards the cost of publishing Martin Cook, Edward Prior (1852-1932): Architect, scholar and gentleman.

Kettles Yard, University of Cambridge, towards the cost of publishing H.S. Ede, Savage Messiah: A biography of the sculptor Henri Gaudier-Brzeska (new edition). 

Lund Humphries Publishers Ltd, towards the cost of publishing Frances Spalding,The Art of Prunella Clough: Regions Unmapped.

Mercer Art Gallery, Harrogate Borough Council,towards the cost of publishing John Atkinson Grimshaw (1836-1893): Painter of Moonlight.

Nottingham City Museums and Galleries, towards the cost of publishing Robin Hildyard, Adrian Henstock & Pamela Wood, ‘Made at Nottingham’: Nottingham Brown Salt-glazed Stoneware 1690-1800.

Oxford University Press, towards the cost of publishing Patrick Wright, Flying Didn't Help: the British Discovery of Mao's China.

Paul Holberton Publishing, towards the cost of publishing Leonee Ormond, Linley Sambourne.

University of Pennsylvania Press, towards the cost of publishing Douglas Fordham, Allegiance and Autonomy: British Art and the Seven Years' War.

Public Catalogue Foundation, towards the cost of publishing Oil Paintings in Public Ownership series published by PCF and the YourPaintings website published by the BBC and PCF.

RIBA Enterprises Ltd, towards the cost of publishing Louise Campbell, Miles Glendinning & Jane Thomas, Sir Basil Spence: Buildings and Projects.

Spire Books Ltd, towards the cost of publishing Christopher Webster,R.D. Chantrell (1793-1872) and the Architecture of a Lost Generation.

Stanford University Press, towards the cost of publishing Elizabeth Chang, Britain's Chinese Eye: Literature, Empire and Aesthetics in the Nineteenth Century.

V&A Publishing,towards the cost of publishing Charlotte Gere, Artistic Circles: Design and Decoration in the Aesthetic Movement.

Walpole Society, towards the cost of publishing Eckart Marchand, Alison E. Wright& Hugh Brigstocke, Walpole Volume 2010: Flaxman and Ottley in Italy.

Wolverhampton Art Gallery, towards the cost of publishing Cranbrook Colony of Artists: Fresh Perspective.

Barns-Graham Research Support Grant

John Curley, for research in the United Kingdom on ‘The Art that Came in from the Cold: Painting, Photography, and Cold War Visuality