New publication: Aquatint Worlds: Travel, Print, and Empire by Douglas Fordham

  • 14 November 2019

Front cover of book The new Paul Mellon Centre publication, Aquatint Worlds: Travel, Print and Empire by Douglas Fordham, is now published and available to purchase from Yale University Press.

In the late eighteenth century, British artists embraced the medium of aquatint for its ability to produce prints with rich and varied tones that became even more stunning with the addition of colour. At the same time, the expanding purview of the British empire created a market for images of far-away places. Book publishers quickly seized on these two trends and began producing travel books illustrated with aquatint prints of Indian cave temples, Chinese waterways, African villages and more.

Offering a close analysis of three exceptional publications – Thomas and William Daniell’s Oriental Scenery (1795–1808), William Alexander’s Costume of China (1797–1805) and Samuel Daniell’s African Scenery and Animals (1804–5) – this volume examines how aquatint became a preferred medium for the visual representation of cultural difference, and how it subtly shaped the direction of Western modernism.