• At the autumn 2019 meeting of the Centre‚Äôs Advisory Council the following fellowships and grants were awarded:

Collaborative Project Grants

  • Impermanence and University of Bristol to support the collaborative research project Staging BLAST!: Cabaret and the Modernish Magazines
  • Birkbeck and the National Trust to support the collaborative research project Unlocking the Photographic Archive: Identity & History in the National Trust’s Photography Collections

Curatorial Research Grants

  • The South Asia Collection Museum to help support a research curator to work on the project The Gwillim Project: Women, Environment and Networks of Knowledge and Exchange in Early Nineteenth-Century Madras
  • Colchester & Ipswich Museums to help support a research curator to work on the project The Constable Connection: Mapping the Artists Early Suffolk Foundation
  • Autograph Association of Black Photographers to help support a research curator work on the project Rotimi Fani-Kayode: A Retrospective (working title)
  • Armagh Robinson Library to help support a research curator to work on the project Researching the Rokeby Collection of Prints at Armagh Robinson Library 

Digital Project Grants

  • Bartlett School of Architecture, University College London towards creating a transcribed and searchable open access database of Robert & James Adams’ Grand Tour Letters and Writings 1754–63
  • Derby Museums Trust to support the online catalogue Joseph Wright of Derby Collection at Derby Museums

Event Support Grants

  • The Victorian Society to support the conference French Architecture and the English, 1835–1914
  • Irish Museum of Modern Art to support the symposium Remembering Derek Jarman, Then and Now
  • Four Corners to support the symposium Another Eye: Women Exile Photographers
  • University of St Andrews to support the symposium Maud Sulter: Significant Others, Significant Women  
  • University of York to support the conference Pre-Raphaelite Sisters: Making Art
  • Loughborough University to support the conference “…In or about 1970…”: Artists, Writers, and Feminist Thought
  • Manchester Metropolitan University to support the conference Celebrating Reproductions: Past, Present and Future
  • School of Art History, University of St Andrews to support the symposium The Itinerant Image: Printmaking between Art and Science in Early Modern Britain
  • The Fitzwilliam Museum, University of Cambridge to support the conference Hayley2020: William Hayley (1745–1829) Networking, Society and Collaborative Cultural Production

Publication Grants

  • Alice Eden and Leamington Spa Art Gallery and Museum author and publisher costs towards publishing Modern Pre-Raphaelite Visionaries, British Art 1880–1930
  • Liverpool University Press publisher costs towards publishing William Whitfield
  • Anne Dulau author costs towards publishing Old Ways and New Roads: Travels in Scotland, c.1720–1830  
  • Séan Kissane and Irish Museum of Modern Art author and publisher costs towards publishing Derek Jarman: PROTEST!
  • The New Art Gallery Walsall publisher costs towards publishing Keith Piper (full title tbc)
  • Dorothy Price author costs towards publishing Framing the Critical Decade: After the Black Arts Movement
  • Eddie Duggan author costs towards publishing an article for Board Game Studies Journal 
  • Hayward Gallery publisher costs towards publishing Not Without My Ghosts
  • Gordon Higgott author costs towards publishing Drawings by Edward Pearce Senior: Painter, Decorator and Interior Designer
  • Pennsylvania State University Press publisher costs towards publishing Scented Visions: Smell in Art, 1850–1914
  • Hollie Price author costs towards publishing Picturing Home: Domestic Life and Modernity in 1940s British Film
  • Ian Dudley author costs towards publishing the article Olmec Colossal Heads in the Paintings of Aubrey Williams
  • Jessica Fay author costs towards publishing The Letters of Sir George and Lady Beaumont to William and Dorothy Wordsworth, 1803–1829
  • John Libbey Publishing and David Curtis publisher and author costs towards publishing London Art Labs and the Avant-garde of the 1960s
  • Kettle’s Yard and Amy Tobin publisher and author costs towards publishing Linderism
  • University of Leeds publisher costs towards publishing Gestural Abstraction
  • Harvey Miller/Brepols publisher costs towards publishing East Anglia’s Late Medieval Screens: Patterns of Production
  • Yale University Press and Cicely Robinson author and publisher costs towards publishing Henry Scott Tuke
  • Natalie Ferris author costs towards publishing Abstraction in Post-War British Literature 1945–1980
  • Nathan O’Donnell author costs towards publishing Wyndham Lewis’s Cultural Criticism and the Infrastructures of Patronage
  • Pandora Syperek author costs towards publishing the article Hope in the Archive: Indexing the Natural History Museum’s Ecologies of Display
  • Patrick Zamarian author costs towards publishing The Architectural Association in the Postwar Years
  • Paul Holberton and Jacqueline Riding publisher costs towards publishing Hogarth and the Jacobites
  • Ranald Lawrence author costs towards publishing The Victorian Art School  
  • Robyne Calvert author costs towards publishing The Mack: Charles Rennie Mackintosh and the Glasgow School of Art
  • Church Monuments Society publisher costs towards publishing Divided in Death: The Iconography of English Medieval Heart and Viscera Monuments
  • Turner Contemporary publisher costs towards publishing Place, Space and Who
  • Diaphanes and Stephen Barber author and publisher costs towards publishing Muybridge’s Projections

Research Support Grants

  • Allison Pappas Photography's First Impressions: W.H.F. Talbot, J.F.W. Herschel, and Experimental Rhetoric  
  • Anna Myers Englishness and Eighteenth-Century Shakespeariana at the Folger Shakespeare Library
  • Charlene Heath Historical, Archival Research on British Artist and Photographer Jo Spence  
  • Divya Subramanian Global Townscape: The Rediscovery of Urban Life in the Late Twentieth Century
  • Ego Ahaiwe Sowinski Beyond the Monolith: Recasting Ronald Moody (1900–1984)  
  • Elizabeth Browne In the Mold of Clodion: Reproduction and the Sculptor's Legacy 
  • Gemma Brace ‘And I Dance…’ Paule Vézelay: Bristol – Paris – London
  • Lou Le Joly Class and Gender Politics in the Artistic Production of the Suffrage Atelier and the Women's Freedom League, 1907–1914
  • Noah Smith A Re-examination of the Oxford Chest: Migration and Cross-channel Cultural Exchange between Flanders and England in the Later Middle Ages
  • Rebecca Morrison Miss Mary Rein, antua-maker to the Theatre Royal Drury Lane
  • Sara Ayres The Reception of William Hogarth (1697–1764) at the Eighteenth-Century Danish Court
  • Sria Chatterjee Colonial Weather: The politics of painting in Britain's Australian and Indian colonies
  • Tara Kuruvilla Chapter 1: 'A Hugger-Mugger Collection of Articles'
  • Tor Scott The Life and Work of British Surrealist Edith Rimmington

Andrew Wyld Research Support Grants

  • Victoria Hepburn William Bell Scott as Illustrator  
  • Eleanore Neumann The Intersection of Landscape and Botany in Maria Graham's Drawings from South America, 1821–1825