• At the autumn 2020 meeting of the Centre‚Äôs Advisory Council the following fellowships and grants were awarded:

Curatorial Research Grants 

  • Touchstones Rochdale to help support a research curator to work on the project Rochdale Art Gallery in the 1980s: The Legacy of Jill Morgan 
  • Glynn Vivian Art Gallery to help support a research curator to work on the project Imperial Subjects (Post) Colonial Conversations between Britain and South Asia 
  • National Museums Liverpool to help support a research curator to work on the project 666: Black Girl Magic 
  • Kingston Museum to help support a research curator to work on the project Making Muybridge Visible: An Online Catalogue 
  • ART UK to help support a research curator to work on the project Art UK Sculpture: Completing the Recording of Public Sculpture 

Digital Project Grants

  • Pallant House towards creating a searchable database and online exhibition of Pallant House Gallery’s collection of British Pop Art through their Unlocking British Pop Art project 
  • Afterall towards the digital mapping of the legacies of the slave trade in contemporary art through their The Black Atlantic Museum project 
  • The New Architecture Movement towards preserving, collating and providing digital access to The New Architecture Movement archives through their Digital Archive Project

Event Support Grants

  • Leamington Spa Art Gallery towards the online lecture series In Sickness and In Health: Art and Medicine in Britain 
  • Ruskin School of Art towards the online conference Biotic Resistance: Eco-Caribbean Visions in Art and Exhibition Practice 

Publication Grants

  • MK Gallery author and publisher costs towards publishing Ingrid Pollard – Carbon Slow Turning (working title) 
  • Norfolk Museums Service publisher costs towards publishing A Passion for Landscape: Rediscovering John Crome 
  • Verity Wilson and Reaktion Books author and publisher costs towards publishing Dressing Up: The Culture of Fancy Dress in Britain, 1837-1953 
  • Ada de Wit author costs towards publishing Grinling Gibbons and the Golden Age of Woodcarving. The Netherlands and Britain, 1650–1700 
  • Charlotte Gould and Sophie Mesplède author costs towards publishing British Art and the Environment: Changes, Challenges and Responses Since the Industrial Revolution 
  • Sara Honarmand Ebrahimi author costs towards publishing Emotion, Mission, Architecture: Building Hospitals in Persia and North-Western British India, 1865-1914 
  • Afterall Research Centre publisher costs towards publishing Helen Chadwick: The Oval Court 
  • Jasmine Hunter Evans author costs towards publishing David Jones and Rome: Reimagining the Decline of Western Civilisation 
  • Ian Massey and Ridinghouse author and publisher costs towards publishing Queer St Ives and Other Stories 
  • Nicola Baird, Sarah MacDougall and Ben Uri Gallery and Museum author and publisher costs towards publishing Becoming Gustav Metzger: The Early Years- 1945-1959 
  • Joseph Monteyne author costs towards publishing Media Critique in the Age of Gillray: Scratches, Scraps, and Spectres 
  • William Fowler and Strange Attractor Press author and publisher costs towards publishing Towers Open Fire: The Queer Film Worlds of Antony Balch 
  • LUX publisher costs towards publishing Annabel Nicolson: Fire Works 
  • Sophie Read and MIT Press author and publisher costs towards publishing Soane the Lecturer 
  • Emma Roodhouse and Colchester & Ipswich Museums Service author and publisher costs towards publishing John Constable: Made in Suffolk (working title) 
  • Ella S Mills author costs towards publishing Black Women Artists: Voices of Resistance, Strategies of Creation
  • Dordrechts Museum publisher costs towards publishing In the light of Cuyp. Aelbert Cuyp & Gainsborough - Constable – Turner
  • Amy Thomas and MIT Press author and publisher costs towards publishing Rebuilding the City of London: Architecture, Planning, and Finance 1945-93 
  • Simona Valeriani author costs towards publishing The Royal Albert Hall: Building the Arts and Sciences 
  • BALTIC Centre for Contemporary Art publisher costs towards publishing Sutapa Biswas 
  • Duke University Press author and publisher costs towards publishing Detour to the Imaginary: Stuart Hall’s Writings on the Visual Arts and Culture 
  • Zhengfeng Wang author costs towards the chapter Central Market in Hong Kong: Urban Amenities in a Speculative Field 

Research Support Grants

  • Rhian Addison towards research costs for the project Transient and established: the London studios of landscape artists George Morland and John Constable 
  • Laia Anguix Vilches towards research costs for the project Rediscovering John Martin: An Apocalyptic Taste in Post-War Britain 
  • Lucy Bailey towards research costs for the project Walter Fawkes’ 1769-1825) Collection of Modern Watercolours by British Artists 
  • Susie Beckham towards research costs for the project Names, Origins and Receptions: An analysis of the unpublished memoir of “The P.R.B. & Walter Howell Deverell” and further select Pre-Raphaelite source material in the Huntington Library 
  • Eva Bentcheva towards research costs for the project Itinerant Abstractions: The Work of Prafulla Mohanti
  • Louise Box towards research costs for the project Documenting Judy Egerton (1928-2012): an Australian-born British art historian and her world 
  • Emily Burns towards research costs for the project Painters and Picturemakers: The Painter-Stainers’ Company during the Civil Wars and Interregnum, c.1640-1660 
  • Ludovico Centis towards research costs for the project On Reyner Banham's Tracks in the Age of Brexit 
  • Peter Christensen towards research costs for the project The Architectural Patent: Inventing Modernity 
  • Anais Da Fonseca towards research costs for the project Itinerant Abstractions: The Work of Prafulla Mohanti 
  • Elizabeth Deans towards research costs for the project Nicholas Hawksmoor, his sketchbook, and his architectural formation 
  • Brian Dillon towards research costs for the project "Sometimes a Mere Foundation" 
  • Nora Epstein towards research costs for the project Visual Commonplacing: The Transmission and Reception of Printed Religious Images in Reformed England and Scotland 
  • Lucia Farinati towards research costs for the project Audio Arts - A polyvocal history of the British sound magazine 
  • Alicia Foster towards research costs for the project Nina Hamnett (for Eiderdown Books) 
  • Clarisse Godard Desmarest towards research costs for the project William Burn’s Pioneer Scots Baronial houses 
  • Andrew Hodgson towards research costs for the project Xeroxing Surrealism: TRANSFORMAcTION and Collage as Aesthetic Continuity 
  • Eleanor Jones towards research costs for the project Intimate Portraits, Surreal Experiments: Lee Miller and Barbara Ker-Seymer 
  • Eve Kalyva towards research costs for the project Supplementary archival research for the manuscript of A guide to early conceptual art exhibitions in Britain 1969-1979 
  • Silvano Levy towards research costs for the project Mary Wykeham: Surrealist out of the Shadows 
  • Samuel Love towards research costs for the project Glamour, English Art, and the Re-Enchantment of High Society, 1918-39 
  • Eva Charlotta Mebius towards research costs for the project The Reception of British Art at the Stockholm Exhibition 1897 
  • Siddharth Pandey towards research costs for the project A “Little England” in the Indian Himalayas: Perceiving Shimla, the Summer Capital of Imperial India 
  • Rianna Jade Parker towards research costs for the project Master Painters of the British Caribbean: The Early Intuitives in Jamaica
  • Robert Wilkes towards research costs for the project British Artists in Nineteenth-Century Brazil: Representations of the Brazilian Landscape 
  • Christopher Williams-Wynn towards research costs for the project Problems of social function: Art, interaction and the cybernetic techniques of Stephen Willats in the 1970s 

Andrew Wyld Research Support Grants

  • Caroline Douglas towards research travel costs for the project Retouching The Archive: Encountering the Paper Calotype 
  • Claire Spadafora towards research travel costs for the project The Early Work of a 'Raphael secundus': William Kent in Italy and England, 1709-1724