- At the Spring 2018 meeting of the Centre’s Advisory Council the following Fellowships and Grants were awarded:
Senior Fellowships
Carol Richardson, University of Edinburgh, to prepare her book The Last English Catholic Church Remaining in the World: Art and Sacred Geography in the 1580s
Elizabeth McKellar, Open University, to prepare her book John Summerson: A Cultural Biography
Tim Clayton, to prepare his book James Gillray and the Business of Satire
Rome Fellowship
Francesco Ventrella, University of Sussex, for research in Rome on Performing Ancient Sculpture: Vernon Lee and Psychological Aesthetics
Mid-Career Fellowships
Chloe Wigston Smith, University of York, to prepare her book Women and Entangled Things in the Eighteenth-Century Atlantic World
Deirdre Jackson, University of Cambridge, to prepare her book Picturing Speech in English Illuminated Manuscripts before 1500
Katie Lloyd Thomas, Newcastle University, to prepare her book The Architect as Shopper
Gemma Romain, to prepare her book Berto Pasuka and Queer Black British Art
Juliet Carey, Waddesdon Manor, to prepare her book Boys in Satin: Gainsborough and ‘Van Dyck’ Dress
Marius Kwint, University of Portsmouth, to prepare his book British Art on the Brain: Neuroscience and Visual Art in the UK since 1970
Morna O’Neill, Wake Forest University, to prepare her book Art and Brutality: British Art and Industrial Manufacture, 1820-1851
Postdoctoral Fellowships
Alexander Collins, University of Edinburgh, to prepare his book Magnifying the Mass: Scale, Space and Ritual Experience of the Late Medieval Missal
Anjalie Dalal-Clayton, University of the Arts London, to prepare her book Curating Black British Art: Exhibition Cultures Since the 1980s
Charlotte Drew, University of Bristol, to prepare her book Displaying Italian Sculpture: South Kensington Reimagined
David Trigg, to prepare his book A Slow-Cooked Bird: Ben Nicholson and the Penguin Modern Painters
Freya Gowrley, University of Edinburgh, to prepare her book Collage before Modernism: Art, Intimacy and Identity in Britain and North America, 1680-1912
Giulia Smith, The Courtauld Institute of Art, to prepare her book Women of Tomorrow
Irit Katz, University of Cambridge, will prepare her work on Camps in Mandatory Palestine which will be included in her monograph on camps as an architectural instrument in Israel-Palestine
Merlin Seller, to prepare his book Material Memory: The Late Work of Walter Sickert 1927-42
Moran Sheleg, University College London, to prepare her book Bridget Riley’s Grey Zones
Serena Dyer, University of Warwick, to prepare her book Material Lives and Material Literacies: Women, Consumption, and Textiles in England, 1750-1820
Yuthika Sharma, University of Edinburgh, In the realm of Kings and Sahibs: The Delhi School and Anglo-Mughal Painting
Junior Fellowships
Aleksandr Bierig to conduct research in the United Kingdom for his dissertation The Ashes of the City: Energy, Economy, and the London Coal Exchange
Carly Boxer to conduct research in the United Kingdom for her dissertation It owip to be lokid: The Visual Culture of English Medicine
Christine Olson to conduct research in the United Kingdom for her dissertation Owen Jones and the Epistemologies of Victorian Design
Erika Dupont to conduct research in the United Kingdom for her dissertation English Art and France during the Interwar Period: Presence and Reception of English Artists in Paris from 1919 to 1939
Jackson Davidow to conduct research in the United Kingdom for his dissertation Viral Visions: Art, Epidemiology, and Spatial Practices in the Global AIDS Pandemic
Michal Goldschmidt to conduct research in the United Kingdom for her doctoral thesis Interwar Explorations of Empire and British Identity: Studies of Modernism in Mandate Palestine
Nicholas Robbins to conduct research in the United Kingdom for his dissertation Oceans of Air: Landscape and the Production of Climate in the Nineteenth-Century Atlantic World
Salvatore Dellaria to conduct research in the United Kingdom for his dissertation James Stirling’s Southgate Estate and Architecture under Constraint in Postwar and Postmodern Britain, 1946-1992
Terra-PMC Fellowship
Alison Clarke, University of Liverpool and National Gallery, London, to conduct research in the United States for a book chapter and article British Art Dealers and American Museums: David Croal Thomson’s 1898 Visit to the United States
Educational Programme Grants
Impressions Gallery of Photography to support the Feed Your Mind lecture series
Association for Art History to support the (Re)-forming Sculpture symposium
Irish Georgian Society to support the Irish Silver in the Georgian Age conference
Kunstmuseum Basel to support the Drama and Theatre lecture series
The Hepworth Wakefield to support the Surrealism in Britain, 1925-155 conference
Manchester Metropolitan University to support the Post-war modernist infrastructure conference
University of Leeds to support The Gregory Fellowships symposium
UCL Art Museum to support the Making Ends Meet: Women in Art Education symposium
The Art Libraries Society UK & Ireland to support The Art Libraries Society UK & Ireland (ARLIS) conference
Turner Contemporary to support the Patrick Heron: His Painting Now symposium
Museum of Classical Archaeology, University of Cambridge to support The Humility of Plaster conference
Research Support Grants
Avigail Moss Actuarial Imaginaries of Art and Empire, 1800-1914
Brittany Luberda Hardstones on Fragile Surfaces: Negotiating Neoclassicism in the 1760s
Christopher McGeorge Mediums for the Masses: Stained Glass and Murals in the Age of Mechanical Reproduction
Corinne Silva Lines in the Landscape: Ruins and Reveals in Britain
Emily Pegues The armored body and sculptural practice in medieval English brass tomb effigies
Grace Aneiza Ali Frank Bowling: Mother’s House
Kate Keohane Édouard Glissant
Kate Retford The Print Room in the Eighteenth-Century Country House
Kelly Presutti Strategic Vision: Artists in the Service of the Royal Navy
Ksenia Soboleva Lesbian Artists & the AIDS Crisis: Tessa Boffin
Lydia Miller Forging Identity: Ambrose McEvoy (1877-1927) and the development of modern British portraiture
Maria Quinata Heritage Sites: Zones of Leisure, Spaces of Desire
Pamella Guerdat A Heritage Under Construction: René Gimpel (1881-1945) and the Development of Private and Public Collections
Rachel Warriner Feminist art, the Troubles and the politics of space: Nancy Spero at the Orchard Gallery, Derry
Renate Dohmen Colonial Art in British India: Power, Gender and Race under the Raj
Roisin Astell From Corporeal to Divine Vision: Imagining the Spiritual Journey in Thirteenth and Fourteenth-Century Paris and Beyond
Sara Honarmand Ebrahimi The medical missionaries of the Church Missionary Society (CMS) as trust builders
Sarah Crellin The Royal Academy, The Home Office and the Artists’ Refugee Committee: establishments, alliances and interned émigré artists in World War Two
Tom Nickson Mapping Becket
Tyler Jo Smith Collecting Sir John Soane’s ‘Antique’ Vases