• At the autumn 2009 meeting of the Centre’s Advisory Council the following Grants were awarded:

Curatorial Research Grants

  • Bath Spa University, to help support a curator for four months to work on an exhibition ‘Wyndham Lewis, 1882-1957’ at the Fundación Juan March in Madrid.
  • British Museum, Department of Greece and Rome, to help support a research curator for three years to catalogue Antiquarian Drawings in the British Museum.
  • The National Trust, to help support a curator for three years to research and catalogue the National Trust’s Tapestry Collection.
  • Royal Collection, to help support a part-time research curator for three years to revise Oliver Millar's Catalogues of the Tudor, Stuart and Georgian Pictures in the Royal Collection.
  • Greg Sullivan, to help support a researcher for one year to work on an online version of the Biographical Dictionary of Sculptors in Britain 1660-1851.

Educational Programme Grants

  • University of Birmingham, grant towards a conference, 23-24 April 2010: Modernism and Utopia: Convergences in the Arts.
  • Courtauld Institute of Art, grant towards a conference, 4-5 June 2010: New Approaches to British Art, 1939-1969.
  • Northwestern University, Mary and Leigh Block Museum of Art, grant towards a symposium, 27 February 2010: A Room of Their Own: The Bloomsbury Artists in American Collections.
  • National Portrait Gallery, grant towards a conference, 2-4 December 2010: Tudor and Jacobean Painting: Production, Influences and Patronage.
  • University of Plymouth, grant towards a conference, 8-9 January 2010: Sir Joshua Reynolds: The Acquisition of Genius.
  • Royal Cambrian Academy of Art, grant towards a study programme, November 2009: An Artistic Inheritance: the legacy of Welsh artist Richard Wilson, the father of British Landscape Painting.

Research Support Grants

  • John Barrell, for research in the United Kingdom on ‘Edward Pugh's Denbighshire’.
  • George Breeze, for research in the United Kingdom on ‘The Craftsman Painter: Joseph Southall and the Tempera Revival’.
  • Luca Caddia, for research in the United Kingdom on ‘Sub Rosa Aeternitatis: Alma-Tadema and the Collection of Identity’.
  • Viccy Coltman, for research in India on ‘Scots in India’.
  • Sonja Drimmer, for research in the United Kingdom on ‘The Visual Language of Vernacular Manuscript Illumination: John Gower's Confessio Amantis’.
  • Katharine Eustace, for research in the United Kingdom on ‘Hew Lorimer (1907-1993), A Sculptor's Life in Context’.
  • Kristen Fairey, for research in the United Kingdom on ‘Tres testimonium dant: The Architecture and Rhetoric of Sir Thomas Tresham's three lodges of the 1590s’.
  • Ivelin Ivanov, for research in the United Kingdom on ‘Between Imagination and Reality: War in 13th - 15th Century English Gothic Manuscripts’.
  • Roy Kozlovsky, for research in the United Kingdom on ‘The Architecture of Childhood: English modernism and the Welfare State’.
  • Caroline Malloy, for research in the United Kingdom on ‘A Bit of Irish for Everyone: Visual and Material Fragments of Irishness at International Exhibitions, 1851-1939’.
  • Bénédicte Miyamoto, for research in the United Kingdom on ‘The Value of Art in Eighteenth-century Britain: moral, aesthetic and economic perspectives’.
  • David Taylor, for research in the United Kingdom on ‘Theatre and Graphic Satire, 1737-1837.

Publication Grants (Author)

  • Alison Brisby, towards the cost of publishing George Howard, 9th Earl of Carlisle (1843-1911).
  • Sarah Burnage & Laura Turner, towards the cost of publishing William Etty RA.
  • Elizabeth Chang,towards the cost of publishing Britain's Chinese Eye: Literature, Empire and Aesthetics in the Nineteenth Century.
  • Martin Cook, towards the cost of publishing Edward Prior (1852-1932): Architect, scholar and gentleman.
  • Richard Cork, towards the cost of publishing Mercy, Madness, Pestilence and Hope: A History of Western Art and Hospitals.
  • Gordon Crosskey,towards the cost of publishing Old Sheffield Plate: A History of the 18th Century Plated Trade.
  • Elizabeth Eger, towards the cost of publishing Bluestockings Displayed: portraiture, performance and patronage, 1730-1830.
  • Douglas Fordham, towards the cost of publishing Allegiance and Autonomy: British Art and the Seven Years' War.
  • Tim Fulford, towards the cost of publishing ‘The Banks of Wye’: A Critical Edition of a Picturesque Sketchbook, Journal and Poem.
  • Hilary Grainger, towards the cost of publishing The Architecture of Sir Ernest George and Partners.
  • Albert Grimstone, towards the cost of publishing Building Pembroke Chapel: Wren, Pearce and Scott.
  • Christiane Hille, towards the cost of publishing In ‘Britainnes glorious eye’: Changing Images of the Courtly Body in Stuart Masque and Painting.
  • Holger Hoock, towards the cost of publishing Empires of the Imagination: Politics, War and the Arts in the British World, 1750-1850.
  • Alex Kidson, towards the cost of publishing Early British Paintings in the Walker Art Gallery and at Sudley House.
  • Leonee Ormond, towards the cost of publishing Linley Sambourne.
  • Lene Østermark-Johansen, towards the cost of publishing Walter Pater and the Language of Sculpture.
  • Christiana Payne, towards the cost of publishing John Brett.
  • Amy Sargeant, towards the cost of publishing The Servant.
  • Kevin Sharpe,towards the cost of publishing Rebranding Rule: Images of Restoration and Revolution Monarchy, 1660-1714.
  • Frances Spalding, towards the cost of publishing The Art of Prunella Clough: Regions Unmapped.
  • Margaret Willes, towards the cost of publishing Circles of Cultivation: Gardeners and Gardens 1560-1660.

Publication Grants (Publisher)

  • Agnes Etherington Art Centre, towards the cost of publishing John Bonehill, Barbara Klempan, David de Witt, Janet M. Brooke, View of Gibraltar: Wrong or Wright.
  • Antiquarian Horological Society (AHS), towards the cost of publishing Ian White, English Clockmakers Trading in the Chinese and Ottoman Markets, 1580-1815.
  • Ashgate Publishing Company, towards the cost of publishing Lene Østermark-Johansen, Walter Pater and the Language of Sculpture.
  • Ashgate Publishing Company, towards the cost of publishing Helen Hills (Ed.) Reframing the Baroque.
  • Barber Institute of Fine Arts, towards the cost of publishing Christiana Payne & Ann Sumner, Objects of Affection: Pre-Raphaelite Portraits by John Brett.
  • Birmingham Museum and Art Gallery,towards the cost of publishing Colin Cruise, The Poetry of Drawing: Pre-Raphaelite Designs, Studies and Watercolours.
  • British Art Journal,towards the cost of publishing Robin Simon (Ed.)The British Art Journal, 10th Anniversary Special Issue.
  • Church Monuments Society, towards the cost of publishing Sally Badham,'A painted canvas funeral monument of 1615 in the Society of Antiquaries of London and its comparators'.
  • Corpus Vitrearum Medii Aevi (CVMA), towards the cost of publishing Tim Ayers, The Medieval Stained Glass of Merton College, Oxford.
  • Frontier Publishing, towards the cost of publishing Geoff Archer, The Glorious Dead: Figurative Sculpture of the British First World War Memorials.
  • IHS BRE Press, towards the cost of publishing Martin Cook, Edward Prior (1852-1932): Architect, scholar and gentleman.
  • Kettles Yard, University of Cambridge, towards the cost of publishing H.S. Ede, Savage Messiah: A biography of the sculptor Henri Gaudier-Brzeska (new edition).
  • Lund Humphries Publishers Ltd, towards the cost of publishing Frances Spalding,The Art of Prunella Clough: Regions Unmapped.
  • Mercer Art Gallery, Harrogate Borough Council,towards the cost of publishing John Atkinson Grimshaw (1836-1893): Painter of Moonlight.
  • Nottingham City Museums and Galleries, towards the cost of publishing Robin Hildyard, Adrian Henstock & Pamela Wood, ‘Made at Nottingham’: Nottingham Brown Salt-glazed Stoneware 1690-1800.
  • Oxford University Press, towards the cost of publishing Patrick Wright, Flying Didn't Help: the British Discovery of Mao's China.
  • Paul Holberton Publishing, towards the cost of publishing Leonee Ormond, Linley Sambourne.
  • University of Pennsylvania Press, towards the cost of publishing Douglas Fordham, Allegiance and Autonomy: British Art and the Seven Years' War.
  • Public Catalogue Foundation, towards the cost of publishing Oil Paintings in Public Ownership series published by PCF and the YourPaintings website published by the BBC and PCF.
  • RIBA Enterprises Ltd, towards the cost of publishing Louise Campbell, Miles Glendinning & Jane Thomas, Sir Basil Spence: Buildings and Projects.
  • Spire Books Ltd, towards the cost of publishing Christopher Webster,R.D. Chantrell (1793-1872) and the Architecture of a Lost Generation.
  • Stanford University Press, towards the cost of publishing Elizabeth Chang, Britain's Chinese Eye: Literature, Empire and Aesthetics in the Nineteenth Century.
  • V&A Publishing,towards the cost of publishing Charlotte Gere, Artistic Circles: Design and Decoration in the Aesthetic Movement.
  • Walpole Society, towards the cost of publishing Eckart Marchand, Alison E. Wright& Hugh Brigstocke, Walpole Volume 2010: Flaxman and Ottley in Italy.
  • Wolverhampton Art Gallery, towards the cost of publishing Cranbrook Colony of Artists: Fresh Perspective.

Barns-Graham Research Support Grant

  • John Curley, for research in the United Kingdom on ‘The Art that Came in from the Cold: Painting, Photography, and Cold War Visuality