• At the autumn 2010 meeting of the Centre’s Advisory Council the following Grants were awarded:

Curatorial Research Grants

  • Hamilton Kerr Institute, University of Cambridge to help support a curator for one year on the research project 'Crome and Cotman are the Glories of the Norwich School'.
  • St Paul's Cathedral Foundation to help support a research curator for one year to work on ‘The Wren Drawings Project’.
  • Royal Albert Memorial Museum and Art Gallery, Exeter to help support a curator for one year to work on the research project ‘The South West in the Elizabethan Age’.
  • Ruthin and District Civic Association and Ruthin Local History Group to help support a curator for one year to work on the exhibition ‘Edward Pugh, 1763-1813: A Bicentenary Exhibition’.
  • Tate Britain to help support a curator for one year to work on the exhibition ‘Picasso and Britain: British artistic, cultural, social and political responses to Picasso, 1910-73’.
  • Whitechapel Art Gallery to help support a research curator for three years to work on a series of exhibitions on ‘Art in the East End of London’.
  • University of York to help support a curator for two years to work on a new online database ‘The London Art World 1660-1735’.

Educational Programme Grants

  • Birmingham Museums and Art Gallery grant towards a conference, 18-19 March 2011: Drawing and the Victorian Artist.
  • Christ Church Picture Gallery, Oxford grant towards a study day, 21 January 2011: Henry Aldrich (1648-1710) - An Oxford Universal Man.
  • Mary and Leigh Block Museum of Art, Northwestern University grant towards two lectures, 9 February & 2 March 2011: Thomas Rowlandson: Pleasures and Pursuits in Georgian England.
  • University of St Andrews grant towards a conference, 7-8 May 2011: The Reception of Titian in Britain 1769-1877: artists, collectors, critics.
  • University of York, Dept. of History of Art grant towards a symposium, 10 November 2010: Cultural Landscapes.

Research Support Grants

  • Piers Baker-Bates, for research in the United Kingdom and Spain on 'The dullest country in Europe': exploring relations between British artists and collectors and Spain in the 18th century.
  • Jan Blanc, for research in the United States on The writings of Sir Joshua Reynolds.
  • Mark Broughton, for research in the United Kingdom and Italy on Art and Architecture in ‘Brideshead Revisited’.
  • Alexis Drahos, for research in the United Kingdom on The influence of Hutton's theories on British landscape painting during the first half of the 19th century.
  • Gabriel Gee, for research in the United Kingdom on The John Moores Painting prize: a history of British painting in the second half of the 20th century.
  • Pamela Gerrish-Nunn, for research in the United Kingdom on Eleanor Fortescue Brickdale and the Survival of Pre-Raphaelitism.
  • Albert Grimstone, for research in the United Kingdom on Edward Pearce senior: drawings, engravings, paintings and interior design.
  • Gordon Higgott, for research in the United Kingdom on Edward Pearce senior: drawings, engravings, paintings and interior design.
  • Iain Jackson, for research in the United Kingdom on Maxwell Fry and Jane Drew: architecture, collaborations and postcolonial settlements.
  • Maija Jansson, for research in the United Kingdom on Art and Diplomacy: Document Design in 17th Century Great Britain.
  • Henrietta McBurney Ryan, for research in the United Kingdom on The Drawings for Mark Catesby's 'Natural History of Carolina, Florida and the Bahama Islands'.
  • Sarah MacDougall, for research in the United Kingdom on Mark Gertler: A Complete Catalogue of Paintings and Drawings.
  • David Mackie, for research in the United Kingdom on The Complete Catalogue of the Works of Sir Henry Raeburn (1756-1823).
  • Lucinda Middleton, for research in the United Kingdom on Henry Bone, his workshop and family.
  • Darren Newbury, for research in the United Kingdom on Windows on South Africa and the Caribbean: The Bryan Heseltine Photographic Collection.
  • Lauren Pepitone, for research in the United Kingdom on Church and Hall: Historicism and Homosociability at the Temple.
  • Larry J Schaaf, for research in Australia on British photographic history sources in Australia.
  • Ekaterina Skvortsova, for research in the United Kingdom on The Art of J.A. Atkinson and J. Walker as an example of English-Russian Artistic Links.
  • Amy Todman, for research in the United Kingdom on Contours of celestial and terrestrial topographies: pictorial representations and constructions of place in Britain c.1600-1820.
  • Ahenk Yilmaz, for research in the United Kingdom on Sir John Burnet and the Memorialization of Gallipoli Battles.

Publication Grants (Author)

  • Jonathan Black, towards the cost of publishing: The Face of Courage: Eric Kennington, Portraiture and the Second World War.
  • Alan Borg, towards the cost of publishing: Vauxhall Gardens 1661-1859: More Nightingales than Strumpets.
  • Jonathan Conlin, towards the cost of publishing: Grounds for Pleasure: the pleasure garden in Britain and the United States, 1660.
  • Victoria George, towards the cost of publishing: Whitewash: the New Aesthetic of the Protestant Reformation.
  • Peter Humfrey, towards the cost of publishing: The Reception of Titian in Britain 1769-1877: Artists, Collectors, Critics.
  • Shannon Hurtado, towards the cost of publishing: Genteel Mavericks: Professional Women Sculptors in Victorian Britain.
  • Amanda Reeser Lawrence, towards the cost of publishing: Revisionary Modernism: The Architecture of James Stirling, 1955-84.
  • Margaret MacDonald, towards the cost of publishing: The Etchings of James McNeill Whistler (on-line catalogue).
  • Arthur MacGregor, towards the cost of publishing: Animal Encounters. Episodes in a millennium of interaction with the animal kingdom.
  • Nancy Marshall, towards the cost of publishing: City of Gold and Mud: Painting Victorian London.
  • Pauline Rose, towards the cost of publishing: Henry Moore in America: Art, Business and the Special Relationship.

Publication Grants (Publisher)

  • Ashmolean Museum, Oxford, towards the cost of publishing: Victor Benjamin et al, Entente Cordiale: Lucien Pissarro's Eragny Press 1895-1914.
  • Australian Scholarly Publishing, towards the cost of publishing: Catherine Moriarty, Making Melbourne's Monuments: the Sculpture of Paul Montford.
  • Berghahn Books Ltd, towards the cost of publishing: Volker Welter,Ernst L. Freud, Architect, and the Case for the Modern Bourgeois Home.
  • Boydell and Brewer, towards the cost of publishing: John Cannon and Beth Williamson (Eds) The Medieval Art and Architecture of Bristol Cathedral.
  • Brepols Publishers, towards the cost of publishing: Gregory Martin, Rubens in London. Art and Diplomacy.
  • British Museum, towards the cost of publishing, Leslie Webster: Anglo-Saxon Art.
  • Burlington Magazine, towards the cost of publishing, Mary Beal:‘Postscript to Paul Nash’s 'Landscape at Iden': From Millet’s 'Angelus' to 'Objects in Relation'’.
  • Compton Verney, towards the cost of publishing: Steven Parissien (Ed), Stanley Spencer and the English Garden.
  • Frances Lincoln Ltd, towards the cost of publishing: Keith Middlemas, As they Really Were - Citizens of Alnwick 1831.
  • Handel House Museum, towards the cost of publishing: Paul Boucher and James Miller, The Music Party – works by Marcellus Laroon (1700-1760).
  • Henry Moore Institute, towards the cost of publishing: Ingrid Roscoe et al, A Biographical Dictionary of Sculptors in Britain (on-line catalogue).
  • Holburne Museum of Art, towards the cost of publishing: Susan Sloman, Gainsborough's Landscapes: Themes and Variations.
  • Liverpool University Press, towards the cost of publishing: Colin Trodd, Visions of Blake: William Blake in the Art World 1830-1930.
  • Modern Art Press, towards the cost of publishing: Patricia Reed, William Nicholson: a catalogue raisonné of the oil paintings.
  • Moggerhanger House Preservation Trust, towards the cost of publishing: Jane Brown (Ed), Moggerhanger Park, An Architectural and Social History.
  • Philip Wilson Publishers, towards the cost of publishing: Jonathan Black, The Face of Courage: Eric Kennington, Portraiture and the Second World War.
  • Public Monuments and Sculpture Association, towards the cost of publishing: Edward Morris and Emma Roberts, Public Sculpture of Cheshire and Merseyside (except Liverpool).
  • Reaktion Books, towards the cost of publishing: Arthur MacGregor, Animal Encounters. Episodes in a millennium of interaction with the animal kingdom.
  • Royal Pavilion & Museums, towards the cost of publishing: David Alan Mellor et al, Radical Bloomsbury: Vanessa Bell and Duncan Grant, 1905-1925.
  • V & A Publishing, towards the cost of publishing: Lesley Jackson,Alastair Morton and Edinburgh Weavers - Textiles and Modern Art.
  • Victorian Society West Yorkshire Group, towards the cost of publishing: Christopher Webster, Building a great Victorian city: Leeds architects and architecture 1800-1914.
  • Watts Gallery, towards the cost of publishing: Mark Bills (Ed), Compton: An Artists' Village.
  • Yale University Press, towards the cost of publishing: Kevin Sharpe, Rebranding Rule: Images of Restoration and Revolution Monarchy, 1660-1714.
  • York Museums Trust, towards the cost of publishing: Sarah Burnage, Mark Hallett, Laura Turner (Eds), William Etty: Art and Controversy.

Barns-Graham Research Support Grant

  • Emma Acker, for research in the United Kingdom on A Sense of Place: The Aerial Abstractions of Richard Diebenkorn and Peter Lanyon