Curatorial Research Grants

• Ben Uri Gallery, London Jewish Museum of Art, to help support a part-time curator for two years to work on the research project 'Uproar!': The First 50 Years of the London Group.
• The Cooper Gallery, Barnsley, to help support a curator for one year to work on the research project Discovering British Art at the Cooper Gallery.
• The Foundling Museum, London, to help support a research curator for three years to work on two exhibitions to be drawn from the museum’s collection and archive.
  Hamilton Kerr Institute, University of Cambridge, to help support a curator for one year to work on the research project Crome and Cotman are the Glories of the Norwich School.
• Holburne Museum, Bath, to help support a curator for 18 months to work on the research project Wright of Derby in Bath.
• Lansdown Centre for Electronic Arts, Middlesex University, to help support a curator for three years to work on the research project John Lansdown: Architect of Computer Arts.
• Public Catalogue Foundation, to help support a research curator for two years to work in maintaining and improving records of Oil Paintings in Public Ownership in the United Kingdom.
• Royal Albert Memorial Museum and Art Gallery, Exeter, to help support a curator for one year to work on the research project The South West in the Elizabethan Age.
• State Pushkin Museum of Fine Arts, Moscow, to help support a research curator for six weeks to work on the Catalogue Raisonné of British Paintings in the State Pushkin Museum of Fine Arts.
• Studio 3 Gallery, University of Kent, to help support researchers for one year to work on the research project Alfred Drury and the New Sculpture.

Publication Grants (Author)

• Jan Blanc,towards the cost of publishing Les Écrits de Sir Joshua Reynolds (1723-1792).
• James Campbell, towards the cost of publishing The Staircase: History and Conservation.
• Andrew Causey, towards the cost of publishing Paul Nash: Landscape and the Life of Objects.
• Saskia Coenen Snyder, towards the cost of publishing Building a Public Judaism: Monumental Synagogues and Jewish Identity in Northern Europe.
• Leo Costello, towards the cost of publishing J.M.W. Turner and the Subject of History.
• Fintan Cullen, towards the cost of publishing Ireland on Show. Art, Union and Nationhood.
• Natasha Eaton, towards the cost of publishing Mimesis in Flux: Artworks, Networks, Empires in India, 1765 to 1860.
• Ann Gunn, towards the cost of publishing The Prints of Paul Sandby (1731-1809): A Catalogue Raisonné.
• Oliver Heal, towards the cost of publishing Sir Ambrose Heal and the Heal Cabinet Factory.
• Claudia Hucke, towards the cost of publishing Picturing the Postcolonial Nation - (Inter)Nationalism in the Art of Jamaica.
• Sarah MacDougall, towards the cost of publishing Mark Gertler: A Complete Catalogue.
• Jan Marsh & Frank C Sharp (Eds), towards the cost of publishing The Collected Letters of Jane Morris.
• Sarah Monks, towards the cost of publishing Marine Painting in Britain, 1650-1850: Framing Space, Power and Modernity.
• Edward Nygren, towards the cost of publishing James Ward, RA (1769-1859): Papers and Patrons.
• Simon Pierse, towards the cost of publishing Australian Art and Artists in London 1950-1965: an Antipodean Summer.
• Marcia Pointon, towards the cost of publishing Portrayal.
• Matthew Potter, towards the cost of publishing The Inspirational Genius of Germany: British Art and Germanism, 1850-1939.
• Adrianne Rubin, towards the cost of publishing 'This difficult and uncertain science': Roger Fry's Interpretation of Aesthetic Perception.
• Michael Twyman, towards the cost of publishing Chromolithography: colour for all.

Publication Grants (Publisher)

• Arthena, towards the cost of publishing Olivier Lefeuvre: Philippe-Jacques de Loutherbourg (1740-1812).
• Ashgate Publishing,towards the cost of publishing Fintan Cullen: Ireland on Show. Art, Union and Nationhood.
• Association of Art Historians, towards the cost of publishing David Peters Corbett & Lisa Tickner (Eds): British Art in the Cultural Field, 1939-69.
• Barber Institute of Fine Arts, towards the cost of publishing Ann Sumner, David Jackson & Greg Smith: Northern Skies and Southern Sun: Thomas Fearnley the Enchanted Wanderer.
• Bayerische Staatsgemäldesammlungen, Munich, towards the cost of publishing Herbert Rott et al: George Stubbs (1724-1806).
• Black Dog Publishing,towards the cost of publishing Darren Newbury:People Apart: 1950s Cape Town Revisited. Photographs by Bryan Heseltine.
• Buildings of Ireland Charitable Trust, towards the cost of publishing Kevin Mulligan: Buildings of Ireland: South Ulster: Armagh, Cavan and Monaghan.
• Burlington Magazine, towards the cost of publishing Christiana Payne: ‘A mild, a grateful, an unearthly lustre' Samuel Palmer and the moon.
• Courtauld Institute of Art, towards the cost of publishing Caroline Campbell (Ed): Lely's Subject Pictures.
• Czech Memorial Scrolls Trust Book Project, towards the cost of publishing Vivian Mann (Ed): An English Legacy, Jewish Ceremonial Art and Manuscripts.
• Donhead Publishing Ltd, towards the cost of publishing James Campbell & Michael Tutton (Eds): The Staircase: History and Conservation.
• Duke University Press, towards the cost of publishing Natasha Eaton: Mimesis in Flux: Artworks, Networks, Empires in India, 1765 to 1860.
• Eton College, towards the cost of publishing Emily Howe, Henrietta McBurney & David Park: Wall Paintings at Eton: the 15^th-century Marian scheme in College Chapel and early 16^th-century school scene in the Head Master's Chambers.
• Ian Randle Publishers, towards the cost of publishing Claudia Hucke: Picturing the Postcolonial Nation - (Inter)Nationalism in the Art of Jamaica.
• Leeds Art Collections Fund, towards the cost of publishing John D Griffin:The Yorkshire Potteries.
• London Parks and Gardens Trust, towards the cost of publishing Todd Longstaffe-Gowan (Ed): The London Gardner (vol.16).
• Lund Humphries, towards the cost of publishing Andrew Causey: Paul Nash: Landscape and the Life of Objects.
• Museum of London, towards the cost of publishing Beatrice Behlen & Richard Stephens (Eds):Pomp and Power - Carriages as Status Symbols.
• National Museums Liverpool, towards the cost of publishing Pamela Gerrish Nunn: Eleanor Fortescue Brickdale.
• National Museum Wales, towards the cost of publishing David Fraser Jenkins & Melissa Munro: John Piper: The Mountains of Wales.
• National Portrait Gallery, towards the cost of publishing Catharine MacLeod, Malcolm Smuts & Timothy Wilks: The Lost Prince: Henry, Prince of Wales.
• Oblong Creative Ltd (G2P/28) towards the cost of publishing Oliver Heal: Sir Ambrose Heal and the Heal Cabinet Factory (£2,500)
• Pallant House Gallery, towards the cost of publishing Simon Martin (Ed): Neo Romantic Visionary: Robin Ironside 1912-1965.
• Phillimore & Co Ltd, towards the cost of publishing Ann Gunn: The Prints of Paul Sandby (1731-1809): A Catalogue Raisonné.
• Public Monuments and Sculpture Association, towards the cost of publishing Richard Cocke: Public Sculpture of Norfolk and Suffolk.
• Reading Museum, towards the cost of publishing Nicola Capon: John Tweed: The Empire Sculptor.
• Reaktion Books Ltd, towards the cost of publishing Marcia Pointon: Portrayal.
• Sansom & Company Ltd, towards the cost of publishing Edward Morris & Timothy Stevens: History of the Walker Art Gallery, Liverpool, 1873-2000.
• Scala Publishers, towards the cost of publishing James Stourton & Charles Sebag-Montefiore: The British as Art Collectors: A History.
• Shaun Tyas Publishing, towards the cost of publishing David Valinsky: An Architect Speaks, the writings of Edward Schröder Prior.
• Society of Antiquaries of London, towards the cost of publishing Pamela Tudor-Craig, Jill Franklin & Bernard Nurse: Catalogue of Paintings in the Collection of the Society of Antiquaries of London.
• University of Wales Press, towards the cost of publishing John Barrell: Edward Pugh, 1763-1813.
• Walpole Society, towards the cost of publishing Walpole Society Journal 2012.
• Watts Gallery, towards the cost of publishing Mark Bills et al: Dickens and the Artists.

Educational Programme Grants

• Asia Society, grant towards a symposium, March 2012: Arts, Patronage, Society in British and Mughal Delhi.
• The Gladstone Library, grant towards a conference 21-23 June 2012: E.A. Freeman: The Life and Times of a Victorian Intellectual.
• Hamilton Kerr Institute, grant towards a conference 27-28 April 2012: The Art and Science of Medieval Church Screens.
• University of Kent, grant towards a conference Spring 2012: Cradled in Caricature.
• Kingston University,grant towards a conference 16-17 April 2012: BUNK: Celebrating 60 Years of the Independent Group.
• The Stanley & Audrey Burton Gallery, University of Leeds, grant towards a symposium 22 March 2012: Sir Michael Sadler Symposium.
• Tiles and Architectural Ceramics Society, grant towards a conference 12 November 2011: Exporting Stoke and Beyond: Tiles and architectural ceramics in the world context.
• Wentworth Castle Heritage Trust, grant towards a conference 10-12 August 2012: Diplomats, Goldsmiths and the Arts: Lord Raby in Berlin and Barnsley 1701-1714.
• University of York, grant towards a conference 23-24 March 2012: Art versus Industry?
• University of York, grant towards a symposium 4 July 2012: Walkabout: The Prospects of Art History and the Britishness of British Art.
• University of York,grant towards a workshop 11-13 July 2012: Making Art, Picturing Practice: The Artist's Studio and Artistic Training in Britain c.1700-1900.

Research Support Grants

• Daniel Alexander & Andrew Haslam, for research in the United Kingdom on Designing the Commonwealth War Graves.
• Caroline Campbell, for research in the United Kingdom and France on Lely's Subject Pictures.
• Myles Campbell, for research in Dublin on British Architects and the Tudor-Revival Country House in Ireland, 1825-50.
• Joanna Cobb, for research in the United Kingdom on ‘A noble mansion consecrated to the arts’: Schomberg House, Pall Mall, as a cultural centre, c.1769-1812.
• Angela Dunstan, for research in the United Kingdom on 'The Grammar of Art': The Forgotten Royal Academy Lectures of Thomas Woolner (1825-1892).
• Craig Hanson, for research in the United Kingdom and the Netherlands for research on From Leiden to London: Anglo-Dutch Relations and Early Modern British Art.
• Valerie Holman, for research in the United Kingdom on Alfred Hardiman RA, Twentieth-century Sculptor: prestigious projects and public protests.
• Jane Kamensky, for research in the United Kingdom on The American School: Art and Revolution in Georgian London.
• Stephen Kite,for research in the United Kingdom on British Architecture: enlightenment to early modernism-the phenomenon of shadow.
• Katerina Loukopoulou, for research in the United Kingdom and New York on The Making of Henry Moore on Film: A Cultural History.
• Helen McCormack, for research in the United Kingdom on Dr William Hunter and his Cultural Worlds.
• Matthew Martin, for research in the United Kingdom on Catholic Collectors - Recusant Art Patronage in Eighteenth-Century England.
• Michael Rosenthal, for research in the Australia on Governor Macquarie's Culture.
• Stacey Sloboda, for research in the United Kingdom on St Martin's Lane: The Culture of Craft in Hogarth's England.
• Nathaniel Stein, for research in the United Kingdom on India Ancient and Modern: William Simpson’s Indian Pictures and the Politics of History.
• Greg Sullivan, for research in the Dublin on The Irish Career of John van Nost (1713-1780).