Autumn 2019

Collaborative Project Grants

• Impermanence and University of Bristol to support the collaborative research project Staging BLAST!: Cabaret and the Modernish Magazines
• Birkbeck and the National Trust to support the collaborative research project Unlocking the Photographic Archive: Identity & History in the National Trust’s Photography Collections

Curatorial Research Grants

• The South Asia Collection Museum to help support a research curator to work on the project The Gwillim Project: Women, Environment and Networks of Knowledge and Exchange in Early Nineteenth-Century Madras
• Colchester & Ipswich Museums to help support a research curator to work on the project The Constable Connection: Mapping the Artists Early Suffolk Foundation
• Autograph Association of Black Photographers to help support a research curator work on the project Rotimi Fani-Kayode: A Retrospective (working title)
• Armagh Robinson Library to help support a research curator to work on the project Researching the Rokeby Collection of Prints at Armagh Robinson Library

Digital Project Grants

• Bartlett School of Architecture, University College London towards creating a transcribed and searchable open access database of Robert & James Adams’ Grand Tour Letters and Writings 1754–63
• Derby Museums Trust to support the online catalogue Joseph Wright of Derby Collection at Derby Museums

Event Support Grants

• The Victorian Society to support the conference French Architecture and the English, 1835–1914
• Irish Museum of Modern Art to support the symposium Remembering Derek Jarman, Then and Now
• Four Corners to support the symposium Another Eye: Women Exile Photographers
• University of St Andrews to support the symposium Maud Sulter: Significant Others, Significant Women
• University of York to support the conference Pre-Raphaelite Sisters: Making Art
• Loughborough University to support the conference “…In or about 1970…”: Artists, Writers, and Feminist Thought
• Manchester Metropolitan University to support the conference Celebrating Reproductions: Past, Present and Future
• School of Art History, University of St Andrews to support the symposium The Itinerant Image: Printmaking between Art and Science in Early Modern Britain
• The Fitzwilliam Museum, University of Cambridge to support the conference Hayley2020: William Hayley (1745–1829) Networking, Society and Collaborative Cultural Production

Publication Grants

• Alice Eden and Leamington Spa Art Gallery and Museum author and publisher costs towards publishing Modern Pre-Raphaelite Visionaries, British Art 1880–1930
• Liverpool University Press publisher costs towards publishing William Whitfield
• Anne Dulau author costs towards publishing Old Ways and New Roads: Travels in Scotland, c.1720–1830
• Séan Kissane and Irish Museum of Modern Art author and publisher costs towards publishing Derek Jarman: PROTEST!
• The New Art Gallery Walsall publisher costs towards publishing Keith Piper (full title tbc)
• Dorothy Price author costs towards publishing Framing the Critical Decade: After the Black Arts Movement
• Eddie Duggan author costs towards publishing an article for Board Game Studies Journal
• Hayward Gallery publisher costs towards publishing Not Without My Ghosts
• Gordon Higgott author costs towards publishing Drawings by Edward Pearce Senior: Painter, Decorator and Interior Designer
• Pennsylvania State University Press publisher costs towards publishing Scented Visions: Smell in Art, 1850–1914
• Hollie Price author costs towards publishing Picturing Home: Domestic Life and Modernity in 1940s British Film
• Ian Dudley author costs towards publishing the article Olmec Colossal Heads in the Paintings of Aubrey Williams
• Jessica Fay author costs towards publishing The Letters of Sir George and Lady Beaumont to William and Dorothy Wordsworth, 1803–1829
• John Libbey Publishing and David Curtis publisher and author costs towards publishing London Art Labs and the Avant-garde of the 1960s
• Kettle’s Yard and Amy Tobin publisher and author costs towards publishing Linderism
• University of Leeds publisher costs towards publishing Gestural Abstraction
• Harvey Miller/Brepols publisher costs towards publishing East Anglia’s Late Medieval Screens: Patterns of Production
• Yale University Press and Cicely Robinson author and publisher costs towards publishing Henry Scott Tuke
• Natalie Ferris author costs towards publishing Abstraction in Post-War British Literature 1945–1980
• Nathan O’Donnell author costs towards publishing Wyndham Lewis’s Cultural Criticism and the Infrastructures of Patronage
• Pandora Syperek author costs towards publishing the article Hope in the Archive: Indexing the Natural History Museum’s Ecologies of Display
• Patrick Zamarian author costs towards publishing The Architectural Association in the Postwar Years
• Paul Holberton and Jacqueline Riding publisher costs towards publishing Hogarth and the Jacobites
• Ranald Lawrence author costs towards publishing The Victorian Art School
• Robyne Calvert author costs towards publishing The Mack: Charles Rennie Mackintosh and the Glasgow School of Art
• Church Monuments Society publisher costs towards publishing Divided in Death: The Iconography of English Medieval Heart and Viscera Monuments
• Turner Contemporary publisher costs towards publishing Place, Space and Who
• Diaphanes and Stephen Barber author and publisher costs towards publishing Muybridge’s Projections

Research Support Grants

• Allison Pappas Photography's First Impressions: W.H.F. Talbot, J.F.W. Herschel, and Experimental Rhetoric
• Anna Myers Englishness and Eighteenth-Century Shakespeariana at the Folger Shakespeare Library
• Charlene Heath Historical, Archival Research on British Artist and Photographer Jo Spence
• Divya Subramanian Global Townscape: The Rediscovery of Urban Life in the Late Twentieth Century
• Ego Ahaiwe Sowinski Beyond the Monolith: Recasting Ronald Moody (1900–1984)
• Elizabeth Browne In the Mold of Clodion: Reproduction and the Sculptor's Legacy
• Gemma Brace ‘And I Dance…’ Paule Vézelay: Bristol – Paris – London
• Lou Le Joly Class and Gender Politics in the Artistic Production of the Suffrage Atelier and the Women's Freedom League, 1907–1914
• Noah Smith A Re-examination of the Oxford Chest: Migration and Cross-channel Cultural Exchange between Flanders and England in the Later Middle Ages
• Rebecca Morrison Miss Mary Rein, antua-maker to the Theatre Royal Drury Lane
• Sara Ayres The Reception of William Hogarth (1697–1764) at the Eighteenth-Century Danish Court
• Sria Chatterjee Colonial Weather: The politics of painting in Britain's Australian and Indian colonies
• Tara Kuruvilla Chapter 1: 'A Hugger-Mugger Collection of Articles'
• Tor Scott The Life and Work of British Surrealist Edith Rimmington

Andrew Wyld Research Support Grants

• Victoria Hepburn William Bell Scott as Illustrator
• Eleanore Neumann The Intersection of Landscape and Botany in Maria Graham's Drawings from South America, 1821–1825