• At the autumn 2021 meeting of the Centre’s Advisory Council the following fellowships and grants were awarded:

Collaborative Project Grants

  • National Galleries of Scotland and University of Edinburgh towards collaborative research for the project John Michael Wright and the Art of Invention
  • Portsmouth City Council and Silver Society, Royal Navy towards collaborative research for the project Portsmouth’s Civic Silver Collection
  • University of Salford and Royal Institute of British Architects, Liverpool towards collaborative research for the project The Modern Backdrop: The Impact of Architectural Modernity on Memory, Identity and Lives in Salford, 1960-1973

Curatorial Research Grants

  • Birmingham Museums Trust to help support a research curator to work on the project Victorian Art, Design and Empire
  • Fitzwilliam Museum to help support a research curator to work on the project Enslavement and Empire, c.1670–1870
  • Royal Museums Greenwich to help support a research curator to work on the project Van de Velde 350: The Dawn of British Marine Painting
  • The Hepworth Wakefield to help support a research curator to work on the project A Collection for Wakefield: Cataloguing, Research and Presentation of Two Major Bequests to the Wakefield Permanent Art Collections
  • The Stephen Lawrence Gallery to help support a research curator to work on the project Frank Bowling and Sculpture
  • Turner’s House Trust to help support a research curator to work on the project J. M. W. Turner’s Sandycombe Years Exhibition Series

Digital Project Grants

  • The Courtauld Institute of Art towards creating a publicly-accessible, free-to-use online database of digitised material from the Institute’s archive of British wall paintings through the project The National Wall Paintings Survey: Phase 1
  • University of East Anglia towards creating an interactive, open-access resource built around a collection of ‘fictile ivories’ through the project The UEA Fictile Ivories: Casts, Networks, Replicas

Event Support Grants

  • Fieldnotes to support the writing workshops ARCHI-POETICS: Urban Architecture
  • Northumbria University to support the conference Art Publishing, Periodicals and Printed Things
  • The William Morris Society to support the symposium The Kelmscott Press and its Legacies
  • University of Dundee to support the conference Art History and Violence against Women

Publication Grants

  • Caitlin Beach author costs towards publishing Sculpture at the Ends of Slavery
  • Eva Bentcheva author costs towards publishing The Dancing Hands: The Life and Works of Prafulla Mohanti
  • Jacqueline Bishop and Intellect Books author and publisher costs towards publishing Patchwork: Essays & Interviews on Contemporary Caribbean Visual Culture
  • Gary Boyd and Lund Humphries author and publisher costs towards publishing Architecture and the Face of Coal: Mining and Modern Britain
  • Reaktion Books publisher costs towards publishing The Private Lives of Pictures: Art at Home in Britain 1800–1940
  • Lloyd de Beer, Helen Lunnon, Zachary Stewart and Harvey Miller author and publisher costs towards publishing From Miniature to Monumental: Studies in the Material Culture of Medieval Britain
  • Charlotte de Mille and Edinburgh University Press author and publisher costs towards publishing Bergson in Britain: Modern Art and Philosophy
  • Alicia Foster and Pallant House Gallery author and publisher costs towards publishing Gwen John: Art and Life in Two Cities
  • Helen Draper and Lund Humphries author and publisher costs towards publishing Mary Beale
  • Charlotte Gauthier and Paul Holberton Publishing author and publisher costs towards publishing 900 Years of St Bartholomew the Great
  • Conor Lucey author costs towards publishing House and Home in Georgian Ireland: Spaces and Cultures of Domestic Life
  • Michael McMillan author costs towards publishing The Front Room: Migrant Aesthetics in the Home (revised edition)
  • Iris Moon author and publisher costs towards publishing Melancholy Wedgwood
  • Callan Waldron-Hall and Bluecoat author and publisher costs towards publishing Bluecoat Off-Centre: Out of the Archive

Research Support Grants

  • Sara Ayres towards research costs for the project Investigating and Publishing a Manuscript Account of Prince Otto von Hessen-Kassel's Princely Tour in England and Scotland in 1611
  • Sarah Churchill towards research costs for the project Photography, ‘The New Brutalism,’ and the Invention of Postwar Social Housing
  • Thomas Cooper towards research costs for the project Researching May Morris in Oxfordshire
  • Emily Cox towards research costs for the project The 'Tendril' and the 'Root': Rethinking the Fin-de-Siècle’s Artistic Landscape
  • Lauren Craig towards research costs for the project Rendering Experience: A Curatorial Exploration of 'Passion: Discourses on Blackwomen’s Creativity' (1990)
  • Taous Rose Dahmani towards research costs for the project “Direct Action Photography”: A Typography of the Photographic Representation of Struggles and the Struggle for Photographic Representations (London, 1968–1989)
  • Catherine Doucette towards research costs for the project The Decorative Arts of Colonial Jamaica
  • Ruth Ezra towards research costs for the project Leaves of Glass: Mica Between Art and Science in Early Modern England
  • Katherine Fein towards research costs for the project Tusk and Skin: The Intimate Ecologies of Ivory Miniatures
  • Luke Fiederer towards research costs for the project To Waterloo on the Windrush: How Lambeth's Caribbean Community Redefined Architectural Britishness
  • Eliza Goodpasture towards research costs for the project Kindred Spirits: Friendship and Ambition Among Women Artists, 1870–1920
  • Rachel Hutcheson towards research costs for the project Color Photography, 1890–1920: Technology, Gender, Colonialism
  • Arjuna Keshvani-Ham towards research costs for the project Harry Fainlight: The Beatniks and the British Art Scene, 1957–1967
  • Alexandra Macdonald towards research costs for the project The Social Life of Time in the Anglo-Atlantic World, 1660–1830
  • Fionn Montell-Boyd towards research costs for the project Speculative Projections: The Political Economy of Silver and the Emergence of Photography in Britain, 1780–1841
  • Kimberly Morse Jones towards research costs for the project An Anthology of British Press Art Criticism from the Long Nineteenth Century
  • Stephen Parnell towards research costs for the project The Makings of Critical Regionalism: Ken Frampton at AD
  • Triveni Srikaren towards research costs for the project Women Art Workers of the Arts and Crafts Movement in Britain, c.1880–1925
  • Francesca Strobino towards research costs for the project Mapping the Private and Scientific Network of WHF Talbot’s Photomechanical Experiments
  • Elliott Sturtevant towards research costs for the project “London’s Most Modern Office Building”: Bush House, International Trade, and the Supremacy of English-speaking Peoples in the Aftermath of WWI

Andrew Wyld Research Support Grants

  • Michael Feinberg towards research travel costs for the project Caribbean Landscapes and Agencies beyond the Human in British Print Culture Surrounding the Haitian Revolution
  • Hannah Lyons towards research travel costs for the project Caroline Watson (1760/1–1814), Frances, Marchioness of Bute (1773–1832) and the Bute Collection of Prints