Spring 2022
- At the spring 2022 meeting of the Centre’s Advisory Council the following fellowships and grants were awarded:
Senior Fellowships
- Alexander Marr (University of Cambridge) for the project Holbein's Wit: Pictorial Ingenuity in Renaissance Art
- Heather Pulliam (University of Edinburgh) for the project Living Frame: Art, Body and Environment in Britain and Ireland, c.700-1000
- Matthew Reeve (Queen’s University) for the project The Casa Manetti in Florence: Homoerotic Networks, the Grand Tour, and the Origins of Queer Aesthetics in Britain ca. 1735–1785
Mid-Career Fellowships
- Justin Carville (Institute of Art, Design & Technology, Dun Laoghaire) for the project The Ungovernable Eye: Photographies of Race and Ethnography in Ireland
- Alice Correia (Independent Researcher) for the project British South Asian Women Artists Since the 1980s
- John Curley (Wake Forest University) for the project Critical Distance: Black American Artists in Europe 1958–1968
- Stephen Parnell (Newcastle University) for the project Catalogs, Clubs and Cosmorama
- Otto Saumarez Smith (University of Warwick) for the project Landscapes of Hope and Crisis: A History of Modern Urban Britain
- Tania Sengupta (The Bartlett School of Architecture, University College London) for the project Colonial Margins: Spatial Cultures of Provincial Governance in Eastern India, Nineteenth Century
- Laura Slater (University of Cambridge) for the project Philippa of Hainault: Queenship, Music and Manuscripts
- Catherine Spencer (University of St Andrews) for the project Abstract Subjects: Art in Britain Between the Border and the Trace
Postdoctoral Fellowships
- Anne Caldwell for the project Alien Tourists/National Painters: Jewishness, Zionism, and Palestine in the Art of the Whitechapel Boys and Bezalel Artists
- Matthew Holman for the project Communing with Communities: The Whitechapel Gallery’s Radical Education Programmes, 1979–1989
- Alicia Hughes for the project The Paper Museum in the Long Eighteenth Century
- Anna Jamieson for the project The Gaze of the Sane: Asylum Tourism in England, 1770–1845
- Juliet Learmouth for the project Elite Women and the London Town House, 1700 to 1760
- Sophie Lynford for the project Landscapes of Liberation: Michel Jean Cazabon and Post-Emancipation Trinidad
- Rebecca Senior for the project Allegories of Violence: Monuments, Empire and Visual Culture in Britain 1760–1840
- Marte Stinis for the project Music and Painting in Victorian Aestheticism
- Lindsay Wells for the project Evergreen Empire: The Horticultural Politics of British Painting, 1848–1910
- Courtney Wilder for the project Printed Dress Textiles and the Visual Economy in Europe, 1815–1851
Junior Fellowships
- Christopher Barrett-Lennard (Princeton University) to conduct research in the United Kingdom for the project The Artist as Somatic Technician: Len Lye's Cinema, 1926–44
- Dominic Bate (Brown University) to conduct research in the United Kingdom for the project Pythagorean Visions: Picturing Harmony in British Art, 1719–1753
- Deepthi Bathala (University of Michigan) to conduct research in the United Kingdom for the project Famine Crops, Botanical Provinces, and Tropical Plantations: Architecture of the Botanic Gardens in Early Colonial India
- Avantika Kumar (Harvard University) to conduct research in the United Kingdom for the project Between Book and Body: Representations of the Word Incarnate in Late Anglo-Saxon Manuscripts
- Renata Nagy (Yale University) to conduct research in the United Kingdom for the project Bookish Art: Natural Historical Learning Across Media in Seventeenth-century Northwestern Europe
- Megan Shaw (The University of Auckland) to conduct research in the United Kingdom for the project A Female Favourite: Katherine Villiers, Duchess of Buckingham, 1603–1649
Archives & Library Fellowship
- Chloe Julius to conduct research at the Paul Mellon Centre for the project Brian Sewell and British Art History in the 1990s
Research Support Grants
- Claire Banks towards research costs for the project Company Drawings of Natural History
- Jessica Boyall towards research costs for the project Black, British and Feminist: The History and Legacy of Ceddo, Sankofa and the Black Audio Film Collective
- Helen Bremm towards research costs for the project Leonora Carrington’s Feminist Occult Egg Tempera Revival
- Albert Brenchat-Aguilar towards research costs for the project As Hardly Found in the Art of Tropical Architecture
- Tania Cleaves towards research costs for the project Sun, Sex and the Senses: Nudist Photography in Britain, ca.1930–1960
- Charlotte Davis towards research costs for the project Carving Out New Professional Specialisms: Seventeenth-century Sculptors in England
- Adam Eaker towards research costs for the project Autonomy and Inscription: William Wood's "Joanna de Silva"
- Stephen Feeke towards research costs for the project Barbara Hepworth and the Public Realm: “Single Form” and “Meridian”
- Molly-Claire Gillett towards research costs for the project Mabel Morrison: Patron and Collector of Lace
- Peter Humfrey towards research costs for the project The Hoares of Stourhead as Collectors of Paintings (ca. 1740–1838)
- Joshua Jenkins towards research costs for the project Joseph Gillott and the Rise of The Collector-Dealer
- Hannah Kašpar towards research costs for the project Robert Adam, John Paterson, and the Edinburgh Architectural Practice
- Murdo Macdonald towards research costs for the project C.T.R. Wilson’s Cloud Chamber Photographs
- Sophia Merkin towards research costs for the project Historic Objects and Contemporary Display: The Past, Present, and Future Lives of Robert Louis Stevenson’s Polynesian Barkcloths
- Lucie Prohin towards research costs for the project British Workers' Dwellings Exhibited: Retracing the Circulation of Architectural Forms in Europe (1851–1913)
- James Stewart towards research costs for the project Queering the Country House: The 9th Earl of Devon at Powderham Castle
- Clare Taylor towards research costs for the project Phase 2 of Gilt Leather Rooms: Decorating with Leather Hangings in Britain
- Rowan Thompson towards research costs for the project Naval Pageantry, Heritage, and Commemoration in Interwar Britain
- Timothy Wilcox towards research costs for the project John Robert Cozens and William Beckford. Archival Research in Rome
- Patrick Zamarian towards research costs for the project Architectural Education in British India: The RIBA and the Sir J.J. School of Architecture
- Claire Zimmerman towards research costs for the project Alison’s Mind: A Postcolonial Architect Collages Old England
Event Support Grants
- Afterall to support the Transnational Solidarities through “Artists for Democracy”, London 1974–77 symposium
- De Montfort University to support The State of Cultural Diversity in British Photography: Artistic Literacy, Educational Access and Institutional Policies conference
- Leamington Spa Art Gallery & Museum to support Modern Pre-Raphaelite Visionaries conference
- Nottingham Contemporary to support The Adventure Playground: The Architecture of Contemporary Play event series
- Pallant House Gallery to support the Representing Blackness in British Modernism 1900–1950 symposium
- School of Advanced Study, University of London to support The Medieval Diagram as Subject workshop
- The Hepworth Wakefield to support the Hepworth's Progeny: Generations of Women in Sculpture in Britain – Lives, Works, Careers and Social Change, 1960–2021 symposium
- The Higgins Bedford Art Gallery & Museum to support the Body and Soul study day
- Thelma Hulbert Gallery to support the Ingrid Pollard – Research Commission in Devon (working title) lecture series