Spring 2024
- At the spring 2024 meeting of the Centre’s Advisory Council the following fellowships and grants were awarded:
Senior Fellowship
- Sarah Thomas (Birkbeck) for the project Chattel: Art, Slavery and the British Collector, 1768-1833
Mid-Career Fellowships
- Megan Boulton (Independent Scholar) for the project Art at the End of the World: rethinking the medieval millennium and the ‘birth’ of England in the Romanesque period
- Megha Chand Inglis (The Bartlett School of Architecture, University College London) for the project Companions of Stone: Architectural and Cultural Lifeworlds of the Sompura Hereditary Temple Builders of Western India (1888-2019)
- Meredith Gamer (Columbia University) for the project Taken From Life: William Hunter's Anatomy and the Art of Reproduction
- Sonal Khullar (University of Pennsylvania) for the project Unpeace in the Land: Art and War in Sri Lanka, c. 1930-2020
- Kate Nichols (University of Birmingham) for the project A Global History of Victorian Painting: Circulations and the Making of British Art
- Giulia Smith (Independent Scholar) for the project Living Landscapes: Nature as Anti-Colonial Agent in Guyanese Art
Postdoctoral Fellowships
- Gabe Beckhurst for the project A Timely Grammar: Trans Visualities between Art and the Archive in Britain
- Sarah Churchill for the project Slums in the Sky: How Photography Killed the Desire for Mass Social Housing in Britain
- Hope Doherty-Harrison for the project Gendering Judas in Medieval Insular Art and Text
- Lydia Fisher for the project Visualising Faith: Stained-Glass Windows, Belief and the Parish in the South-West of England, c.1400-1700
- Isabelle Jain for the project The Imperial Skyscraper: Reconstructing Empire on London’s South Bank
- Dorota Jagoda Michalska for the project Dialogue Out of Proximity. The Grabowski Gallery in London (1959-1975) as a Model for Horizontal Art History
- Evelyn Whorrall-Campbell for the project The Trans 1990s: or, what happened to Trans British Art?
MA/MPhil Studentships
- Ania Kaczynska to undertake an MA in Art History at University College London with a research focus on Archiving the Unseen: A Queer Chronopolitics of HIV Representation in British Visual Culture (1970s–1990s)
- Emily Lashford to undertake an MPhil in History of Art at the University of Cambridge with a research focus on Working Class Practitioners of the Arts and Crafts Movement in the North-West of England
Doctoral Scholarship
- Morgan Quaintance to undertake a PhD at the Royal College of Art with a research focus on Autofiction as Art Criticism: A Critical Ethnography of London's Art Scene in the 2010s
Early Career Fellowship
- Sequoia Barnes Useable Several Times: Blackness as 'Cute' in 20th Century White Supremacist Art Practices
- Denise Kwan Water as Method: Mapping the ecology of East and Southeast Asian artists in the UK from the 1980s to present day (awarded in 2023 but deferred to 2024)
Junior Fellowships
- Caterina Franciosi (Yale University) to conduct research in the United Kingdom for the project Latent Light: Energy and Nineteenth-Century British Art
- Jennifer Marine (University of Virginia) to conduct research in the United Kingdom for the project Registering the Invisible in Fin-de-Siecle Europe
- Amy Orner (The Pennsylvania State University) to conduct research in the United Kingdom for the project The Empress of the North: Edinburgh’s New Town as a City of Empire
- McKenzie Stupica (Northwestern University) to conduct research in the United Kingdom for the project Unexpected Genealogies: Argentina's Display at the 1969 London International Design Exhibition
Rome Fellowship
- Jennifer Johnson (University of Oxford) to spend three months at the British School at Rome to undertake research for the project Sandra Blow and Alberto Burri: exchanges in abstraction 1948-1955
Event Support Grants
- Kunsthalle Mannheim to support the event series On Bodies, Class and Feminism: A Lecture Series on Sarah Lucas
- Liverpool Cathedral to support the event series Sir Giles Gilbert Scott Season at Liverpool Cathedral
- Mount Stuart Trust to support the event Mount Stuart Trust Symposium 2024: The Art of Uncomfortable Truths
- Peckham Platform to support the event Memories for the Future: Social Architecture
- Studio Voltaire to support the event series Beryl Cook: Public Talks Programme
- The Stained Glass Museum to support the event Recording British Stained Glass – the Future of Databases
- The Women's Art Library (Goldsmiths, University of London) to support the event Re-appraising the Legacy of 20th Century British Landscape Painter, Yasmin David, at Luscombe Farm
- Universidad de San Buenaventura Cali to support the event The Middle Hall English House in Bogotá
- University of York to support the event Texture in the Medieval World
- V&A to support the event Rethinking Francis Williams
Research Support Grants
- Anirbaan Banerjee toward research costs for the project Imagining the Inter-Diasporic: Black and Asian Relations in British Independent Film
- Jean Marie Christensen toward research costs for the project Bodies of the Crown: Kinship, Health, and the Construction of the Royal Body in Early Modern English Portraiture
- Kirsty Sinclair Dootson toward research costs for the project Anglo-Indian Film Colour at the Mid-Century
- Tristan Dot toward research costs for the project Weaving patterns in Victorian Britain (1840-1914) – circulation between periods, places and media
- Doris Duhennois toward research costs for the project Recording the dismantlement of empire: contested narratives and the after-lives of colonial statues in de-colonising Britain and France, 1950 – 2021
- Edward Gillin toward research costs for the project Gothic Science: William Whewell and the disciplining of architectural history
- Cassandra Harrington toward research costs for the project Foliate Heads and Masks in Gothic Art: A Reappraisal of ‘Green Man’ Iconography, c. 1200–1350
- Hemdat Kislev toward research costs for the project Modern Art and Self Determination in Mandatory Palestine
- Constance Marq toward research costs for the project The Lure of France: British architects’ travel across the Channel between 1802 and 1834
- Joseph McBrinn toward research costs for the project Evie Hone and the International Avant-Garde
- Louis-Antoine Mege toward research costs for the project "I don't think of myself as an English Conceptual artist." A Controversial English History of Art & Language (1970-2000)
- Sofia Nannini toward research costs for the project The Mechanization of Life: An Architectural History of Intensive Animal Farming
- Bruce Peter toward research costs for the project Modern Art Onboard British Ships
- Anika Shaikh toward research costs for the project Ethel Mairet and ‘Oriental’ Modern Textile: Transnational Design in the twentieth-century Britain