Spring 2025
- At the spring 2025 meeting of the Centre’s Advisory Council the following fellowships and grants were awarded:
Senior Fellowship
- Swati Chattopadhyay (University of California) for the project The Art of Sovereignty: Making and Unmaking the British Empire
Mid-Career Fellowships
- Alison Bennett (University of Cambridge) for the project African Saints and the Visual and Material Culture of British Churches: A Case Study of the Uganda Martyrs
- Caroline Bressey (University College London) for the project Ordinary Lives: Photographic Encounters with Black Victorians
- Edwin Coomasaru (Independent Scholar) for the project Queer Ecologies and Abundant Aesthetics in Sri Lankan Art, 1926-2024
- Maryam Ohadi-Hamadani (University of Edinburgh) for the project The Commonwealth of Art and Visual Culture in Postwar Britain, 1948-1978
- Stephanie O’Rourke (University of St Andrews) for the project Landscapes from Below, 1770-1830
- Nina Vollenbroker (The Bartlett School of Architecture) for the project Hide and Speak: An Architectural History of Deaf Education in Britain (1840-1900)
Postdoctoral Fellowships
- Tobah Aukland for the project British Art and Extraction, 1937-1975
- Carly Boxer for the project Pictures of Health: Medicine, The Body, and Its Image in Late Medieval England
- Melissa Carlson for the project Painting Protest: Censorship, Subversion, and the Avant-garde in Socialist Burma (1962-1988)
- Theo Gordon for the project Viral Landscapes: Art and HIV/AIDS in the UK
- Danielle Hewitt for the project On The Architectural History Of Destruction: A Material History of London’s Bombsite Debris
- Sean Ketteringham for the project Postwar Folk: Modernism, Britain, and the Anthropological Imagination
- Alina Khakoo for the project We Shift You: Art, Infrastructure, Anti-Racism and Feminism in Britain, 1980–97
MA/MPhil Studentships
- Orjana Rudeloff to undertake an MA in Art History at the University of Bristol with a research focus on Seeds of Invisibility: Interrogating the Intersections of Ecology and Colonialism in Ingrid Pollard’s *Three Drops of Blood*
Doctoral Scholarship
- Nazmia Jamal to undertake a PhD at either UCL or Cardiff University with a focus on their proposed project Charting the Journey: Mapping the ways in which Sheba Feminist Publishers shaped black feminisms and queer feminisms in Britain
Early Career Fellowship
- Award offer declined.
Rome Fellowship
- Tom Young (The Courtauld) to spend three months at the British School at Rome to undertake research for the project ‘Old Indians’ in Italy: A Forgotten Artistic Exchange
Junior Fellowships
- Anna Flinchbaugh (University of Southern California) to conduct research in the United Kingdom for the project “Spots of Colour Treasures”: Negotiating Color in the Morris & Co. Embroidery Workshop
- Isabella Galdone (Yale University) to conduct research in the United Kingdom for the project Intersecting Spheres: Victorian Women Artists and the Enmeshment of Pre-Raphaelite Painting, Needlework and Amateur Science
- Wilson Tarbox (École Universitaire de Recherche ArTeC, Université Paris Nanterre, École du Louvre) to conduct research in the United Kingdom for the project From Artist’s Initiative to Global Influence: The Evolution and Legacy of Third Text (1964–2014)
Event Support Grants
- AmberSide Trust to support the symposium Co-Authored Narratives: Socially Engaged Artistic Practices from the North East of England
- Caen Normandie University to support the symposium Pictorial Punch – Treasures from the Archive
- Ffotogallery to support the Feminist Library Series
- Scottish Contemporary Art Network (SCAN) to support the event SCAN Summit - ‘the grid’
- The Burton at Bideford to support the symposium Melting Ice | Rising Tides; Art and Climate Change
- The Hepworth Wakefield to support the Helen Chadwick Conference
- The Historic Towns Trust to support the Mapping Bradford’s History events
- The Photographers’ Gallery to support the conference Visualising the Histories of Black Britain
- Westminster Abbey to support the workshop The Medieval Seal Bags of Westminster Abbey
Research Support Grants
- Shaheen Alikhan toward research costs for the project Liminal Landscapes of Slavery: How the Transatlantic Slave Trade Reshaped the Waterfront of Kingston, Jamaica
- Albert Brenchat-Aguilar toward research costs for the project ‘Unconventional Concepts of Text’: Art as Architecture’s Unrestrained Archive
- Marta Cacho Casal toward research costs for the project Sir Grenville Temple Temple and the earliest casts of the Alhambra Palace in Britain
- Joy Cador toward research costs for the project A marvellous stone? Marble in British painting (1851-1913)
- Gill Crawshaw toward research costs for the project The varied career of disabled artist Audrey Barker, from assemblage to accessibility
- Sonali Dhanpal toward research costs for the project Housing “Race Relations”: The making post-war Britain at the End of Empire
- Sarah Feustle toward research costs for the project By your letters you will fashion Sappho’’ : The collaborative creation of a lesbian-feminist culture and identity in the UK through the magazine Sappho, 1972-1981
- Chenxiao Jin toward research costs for the project Pictures of Meiji Japan by British Artist-Travellers between 1880 and 1910 in Japanese Collections
- Arjuna Keshvani toward research costs for the project Drawing Empires: Botanical Art and the Politics of Colonial Memory in Britain and India
- Irena Kossowska toward research costs for the project Cultural Transfers: Polish-British and Polish-Jewish-British Artists in Britain, 1939-1989
- Katrina-Eve Manica toward research costs for the project William Burges’s ‘Arab Room’: Transcultural Networks of Design Between Cardiff, Sicily, and the Islamic World(s)
- India Oswin toward research costs for the project Women and Concrete Poetry in Britain, 1960-1980
- Emma Roques toward research costs for the project Field trip on The Women’s Art History Collective (1972-1975)
- Michael Smith toward research costs for the project John Flaxman in India