Summer 2021
- A special programme of grants and fellowships, first launched in May 2020 and awarded again in 2021, designed to help support the field of British art studies during the COVID-19 crisis. The following applicants were successful:
Research Continuity Grants
- International Curators Forum to support An Anthology of British-Caribbean Art Part Two
- Royal Pavilion & Museums Trust to support Chinese Export Wallpaper at the Royal Pavilion and Museums Trust
- Towner Art Gallery to support A Life in Art: Lucy Wertheim, Patron, Collector and Gallerist and Reuniting the Twenties Group: from Barbara Hepworth to Victor Pasmore
Research Continuity Fellowships
- Sara Ayres to support Prince George of Denmark's Grand Tour: Art, Collections and Cross-Cultural Encounters in Restoration England
- Alison Bennett to support Material, Visual, and Architectural Cultures of Christianity in Colonial Uganda
- Richard Birkett to support Donald Rodney’s 'Autoicon': 'Human as Hybrid-Auto-Instituting-Languaging-Storytelling Species'
- Madeline Boden to support The First Covenant: Victorian Art and the Old Testament, c. 1850–1897
- Robyne Calvert to support The Mack: Charles Rennie Mackintosh and the Glasgow School of Art
- Laura Castagini to support Stolen Glances: Lesbians Take Photographs – an Exhibition History
- Tiffany Charlotte Boyle to support Black-Scottish-Artist-Filmmaker: Revisiting Maud Sulter's 'Gallus Pictures'
- Nicole Cochrane to support Buying Bonaparte: Material Cultures of Napoleon in the British Imagination in the Long Nineteenth Century
- Jackson Davidow to support Surviving the Blitz: Photography and Health Activism in 1980s London
- Cathryn Enis to support Tibor Reich and the S400 Textile Collection
- Daniel Fountain to support Crafted with Pride: Queer Craft and Contemporary Activism in Britain
- Ashley Gallant to support Radical Art Practice: Copyright and the Future of Public Collections
- Elisabeth Gernerd to support Lady in Silver: Navigating a Political Life in Silk and Paint
- Melissa Gustin to support Unquiet Grandeur: Nineteenth-Century Sculpture and the Imitation of Antiquity
- Francesca Kaes to support The Art of the Blot: Alexander Cozens's 'New Method' as Intermedial Practice
- Nilina Lal to support Constructing Calcutta: Empire and the Making of the Capital of British India 1880–1911
- Hannah Lee to support ‘Your Most Obedient and Faithful Servant’: Peregrine Tyam and the Representation of Black Sitters in Early Modern British Portraiture
- Hanna Mazheika to support Stuart Portraiture and Art Collecting in the Grand Duchy of Lithuania
- Caroline McGee to support Crafting Catholic Opulence: Oppenheimer of Manchester and Decorative Church Mosaics, 1874–1965
- Emma Merkling to support Imponderable: Physics, Mathematics, Psychical Research, and Evelyn De Morgan’s Spiritualist Art, 1885–1914
- Lisa Newby to support Vital Disorder: Collage and Cultural Identity in London’s Postwar Artworld
- Gabriella Nugent to support African Modernists at the Slade School of Fine Art, c. 1945–1965
- Anna Raid to support The Day is Bright and Open: Lucy Skaer's Green Man
- Alice Sage to support Visual Vocabularies of Dreaming in First World War Postcards
- Christine Slobogin to support Dickie Orpen and the Visual Culture of Second World War Plastic Surgery in Britain
- Sylvia Theuri to support ‘Moments and Connections’: Re-viewing the 1983 Pan Afrikan Exhibition at the Herbert Art Gallery & Museum
- Rebecca Tropp to support Accommodating the Picturesque: Colonial Influences on Issues of Permeability
- Beth Williamson to support Art and Education: The Modernist Networks of William Johnstone
- Rixt Woudstra to support Designing a ‘New Britain’: Colonial Architecture, Protest, and the End of Empire
- Wen Yao to support Stella Snead as a Surrelaist World Traveller: Mobility and Representation in her Paintings, Photographs, Collages and Writings
- Shijia Yu to support Paper Peepshows and the Intermediality of Nineteenth-Century Visual Culture