British Art Studies, Issue 13:
September 2019

The British Art Studies editorial team are delighted to present Issue 13: London, Asia, Exhibitions, Histories, edited by Hammad Nasar and Sarah Victoria Turner.

Articles

• Instant Malaysia: Imagining a Nation at the Commonwealth Institute, by Kelvin Chuah
• “A Bridge between the Two Worlds”: Exhibitions of Malaysian Art at the Commonwealth Institute, by Sarena Abdullah
• Mapping Decolonisation: Exhibition Floor Plans and the “End” of Empire at the Commonwealth Institute, by Claire Wintle
• Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London, by Lotte Hoek and Sanjukta Sunderason
• “Exciting a Wider Interest in the Art of India”: The 1931 Burlington Fine Arts Club Exhibition, by Brinda Kumar
• Researching Exhibitions of South Asian Women Artists in Britain in the 1980s, by Alice Correia

Features

• Why Exhibition Histories?, a conversation piece convened by Saloni Mathur
• Exhibitions in Print, an interview between Sharmini Pereira and Sneha Ragavan
• Curating the Cosmopolis, an interview between Iwona Blazwick and Rattanamol Singh Johal
• Unlearning the Modern, an interview between David Elliott and Hilary Floe

Cover Collaboration

• Taking Space for Asian Diaspora Narratives, by Annie Jael Kwan
• 26 x 2 = 0, by Bettina Fung
• “like a flower paddle my teeth”, by Ada Hao
• Yellow Peril, by Nicholas Tee