British Art Studies, Issue 14:
November 2019
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- Type
- Digital
- Publicaton Date
- November 2019
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- Standard Number
- 20585462
- Distributor
- Paul Mellon Centre for Studies in British Art and Yale Center for British Art
Contents
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on the side of the disease and not the cure, a Cover Collaboration with films by James Richards, introduced by Sarah Perks
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“The Assemblage of Specimens”: The Magazine as Catalogue in 1970s Britain, by Samuel Bibby
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“Irrigated Neither by the Seine Nor by the Thames”: Jack B. Yeats’s Reception in London, by Nathan O'Donnell
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The Texture of Capitalism: Industrial Oil Colours and the Politics of Paint in the Work of G.F. Watts, by Kirsty Sinclair Dootson
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The Ecosystem of Exhibitions: Venues, Artists, and Audiences in Early Nineteenth-Century London, by Catherine Roach
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“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting, by Katherine Fein