British Art Studies, Issue 15:
February 2020

British Art Studies is an open access, peer-reviewed digital journal published jointly by the Paul Mellon Centre for Studies in British Art, London, and the Yale Center for British Art, New Haven. The journal provides an innovative space for new research and scholarship of the highest quality on all aspects of British art, architecture, and visual culture in their most diverse and international contexts.

British Art Studies is one of the few completely open access journals in the field of art history, providing a platform for digital publishing as well as a forum for debate about the digital humanities and fair use.

Contents

'A Visionary Sense of London' Cover Collaboration by Laura Grace Ford

'Bert Hardy: Exercises with Photography and Film' by Lynda Nead and John Wyver

'Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America', an Objects in Motion article by Sria Chatterjee

'Reason Dazzled: The All-Seeing and the Unseeing in Turner's Regulus' by Matthew Beaumont

'Signs of a Struggle: Process, Technique, and Materials in the Early Work of Mark Gertler, 1911–18' by Aviva Burnstock and Sarah MacDougall

'Skin and Bone: Surface and Substance in Anglo-Colonial Portraiture' by David Hansen