Thinking with Water: Climate & Colonialism Reading Group Launch
Workshop – Anisha Palat, Eszter Erdosi
- 23 February 2023
- 3:30 – 6:00 pm
- Event hosted by the Paul Mellon Centre for Studies in British Art in collaboration with Anisha Palat and Eszter Erdosi (PhD candidates in history of art at the University of Edinburgh)
- Paul Mellon Centre
The Climate & Colonialism Reading Group is part of the multi-year Climate & Colonialism project led by Dr Sria Chatterjee at the Paul Mellon Centre.
This interdisciplinary Reading Group aims to provide a space for discussion and reflection about the role of the arts and visual cultures in discourses around climate and colonialism. It hopes to foster a dialogue that begins to question systems of oppression that have contributed to the colonial project and its relationships to ecology. The selection of texts for the Reading Group will foreground ecofeminist, Black, Brown and Indigenous scholarship that focuses on the intersections between the environment, extraction and colonial systems, and also histories of decolonisation and speculative imaginaries of human and more-than-human ecologies. It is open to everyone.
This launch event for the Reading Group will discuss two readings by visiting scholar Astrida Neimanis, who will be present at the event alongside facilitators Anisha Palat and Eszter Erdosi (PhD candidates in history of art at the University of Edinburgh).
This event will be in-person only. Subsequent sessions for the Reading Group will take place online with some space for hybrid events, allowing people to attend regardless of time zone and geographical location. The Reading Group will meet once every two months.
Sign up for email updates relating to the Climate & Colonialism Reading Group here: http://eepurl.com/ikVSVL
At the main entrance to the Paul Mellon Centre there are three steps before the front door, with a fourth at the threshold. We can provide an access ramp from street level to the door next to the main entrance. Where possible, please provide prior notice if you will need to use the ramp. We can then have it ready for you when you arrive.
The Seminar Room, located on the ground floor, has carpeted level access, except for a small incline before the entrance.
Our accessible toilet is located on the ground floor next to the reception.
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To attend the event at the Paul Mellon Centre, please sign up for your free ticket via Eventbrite.
Please go to the Eventbrite page to access the readings.
Who we are
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Image Caption: Image courtesy of Astrida Neimanis
About the speakers
Anisha Palat is a PhD candidate in History of Art at the Edinburgh College of Art, University of Edinburgh, and co-organiser of the Climate & Colonialism Reading Group at the Paul Mellon Centre. Anisha’s research focuses on the image of the cow in contemporary Indian art, and its intersections with caste and animal studies. She has presented her research at conferences and workshops around the world, most recently at UW Madison’s Annual Conference on South Asia, Towards Ecocritical Art History: Methods and Practices, held at the University of Vienna. She chaired a panel for the Association for Art History (AAH) Annual Conference (April 2022) titled Visual Cultures of Protest: Art and Resistance in South Asia. In addition to her research, Anisha was part of the editorial team for the South Asianist journal, run by the Centre for South Asian Studies, University of Edinburgh.
Eszter Erdosi is a PhD candidate at the Edinburgh College of Art, University of Edinburgh and co-organiser of the Climate & Colonialism Reading Group at the Paul Mellon Centre. Her research interests lie at the intersection of animal studies and art history, with a focus on the representation of politicised relationships of care between humans and other-than-humans in contemporary art. She is the Postgraduate Convenor of the Edinburgh Environmental Humanities Research Network, and a member of the Ecologies of Care working group, supported by the Igor Zabel Association for Culture and Theory. Eszter holds a BA in History of Art and French from the University of Bristol and an MA in History of Art from the Courtauld Institute.