- 24 November 2020
- 12:00 – 1:30 pm
- An event as part of the multi-part conference programme 'British Art and Natural Forces'
- Zoom Webinar
Speakers and papers:
Pandora Syperek (Research Associate at Loughborough University London) and Sarah Wade (Lecturer in Museum Studies at the University of East Anglia), ‘Curating the Sea: Oceanic Exhibition Making at a Time of Ecological Crisis’
Stefanie Hessler (Director, Kunsthall Trondheim) ‘Tidalectic Curating’
Miranda Lowe (Principal Curator at the Natural History Museum), ‘Through the Curatorial Looking Glass: Re-Righting (not rewriting) the Oceanographic Natural Histories’
British Art and Natural Forces:
A State of the Field Research Programme
In the year 2020, the Paul Mellon Centre marks its 50th anniversary as an institution dedicated to the study of British art and architecture. It is a year in which artistic practice and the practice of art history have met with the unprecedented force of a global pandemic.
This multi-part programme of research events focuses on the encounter between artistic and art-historical practice and the forces of the natural world. It places such encounters in both contemporary and historical perspectives.
In doing so, it aims not only to respond to the exigencies of the current moment, but to foreground some of the most vital activities and conversations taking place within the field of British art studies. In recent years, scholars have concentrated with new intensity on the overlaps between artistic, geophysical, biological and ecological bodies of knowledge.
The series speaks to many of the new interdisciplinary collaborations that are currently shaping art-historical practice, where scholars of the visual arts are working across different subject-fields to explore natural histories, indigenous forms of knowledge, animal studies, concepts of the post-human and revitalised theorisations of the sublime.
It foregrounds the astonishingly rich and diverse representations of natural forces found throughout the history of British art. The programme will explore such representations in the light of current debates and theoretical frameworks, and with the acknowledgement that human agency and reflexive awareness are natural forces in their own right.
Schedule and format
A series of panels and keynote lectures will address the ways in which artistic and art-historical thinking and practice – in the contexts of British art and visual culture – have shaped or been shaped by the encounter with natural forces, whether benign or cataclysmic, short- or long-term, visible or invisible.
The events in this programme will be hosted throughout the 2020 autumn term. Sequential in character, they are designed to forge and facilitate a set of expansive conversations that unfold over time.
Pandora Syperek is Research Associate at Loughborough University London. She is currently preparing a monograph on the gendering of jewel-like objects in the Natural History Museum, London, and has published articles on gender in John Ruskin’s mineralogical curation, trans-animality in Victorian insect displays and queering the Blaschka glass models in the Coral Gallery. From 2016–2017 she was postdoctoral fellow at the Paul Mellon Centre for Studies in British Art. She has taught modern and contemporary art and display practices at Sotheby’s Institute of Art, University College London and York University.
Sarah Wade is incoming Lecturer in Museum Studies at University of East Anglia. Her research examines human-animal relations and representations of wildlife in contemporary art and exhibitions, particularly with regards to ecological concerns. She has published on extinction and ecology in contemporary art and curatorial practice. Wade was a co-curator of 'Strange Creatures: The Art of Unknown Animals at the Grant Museum of Zoology' (2015) and has also worked with various arts and heritage organizations.
Stefanie Hessler is a curator, writer and editor focusing on interdisciplinary and long-term collaborations with artists and researchers. She has curated exhibitions by artists such as Joan Jonas, Armin Linke, Tomás Saraceno, Jenna Sutela and Christine Sun Kim, and worked with institutions such as the São Paulo Biennale, Hamburger Bahnhof in Berlin, TBA21–Academy in London, Museum of Modern Art in Recife, FLORA in Bogotá and the Athens Biennale. She is the author of the book Prospecting Ocean (2019, MIT Press), editor of Tidalectics: Imagining an Oceanic Worldview Through Art and Science (2018, MIT Press) and director of Kunsthall Trondheim in Norway.
Miranda Lowe is a Principal Curator at the Natural History Museum, London with three decades-worth of collections management and curatorial experience caring for a plethora of historically important marine invertebrate specimens from both the HMS Challenger and RRS Discovery oceanic expeditions. She is passionate about the role museum exhibitions play in our understanding of the natural world and her research interests lie in ecology, zoology and marine biology.
Guidelines for users attending Zoom webinars
Before the webinar
- Please download Zoom software in advance.
- Please register to attend the Research Lunch webinar through Eventbrite.
- We will share the link to the Zoom webinar with you in advance by email through Eventbrite.
- If you require closed captioning during this event, please get in touch at least two weeks before the event date.
- If you have not received the Zoom link by 3pm the day before the event please get in touch as soon as possible via [email protected].
During the event
- Paul Mellon Centre staff hosting the event will employ the appropriate security features to help ensure that events and meetings operate safely.
- There will be a waiting roomfeature that allows the host to control when all participants join the meeting.
- You will be automatically muted when you join the webinar and can only communicate verbally if the host unmutes you.
- Use the Q&A box to ask/write your questions after the talk.
- You can also use the virtual raise handbutton if you have a question/comment to make by audio.
- Use the chat box to make comments.
- If you are experiencing any technical problems, please notify Ella Fleming (events manager) or Danielle Convey (events assistant) directly using the chat box function. Alternatively you can email them via [email protected].
- The Paul Mellon Centre will not take photographs of this event and participants are requested likewise not to do so.
- This session will be recorded for educational and research purposes. The recording may be made available on the Centre’s website and via You Tube. It will be stored indefinitely in the Centre’s Institutional Archive.
- Any offensive behaviour will not be tolerated and attendees can be removed from the webinar by the host.
The Paul Mellon Centre is aware of its obligations under the General Data Protection Regulations (GDPR) and is committed to processing your data securely and transparently.
For more information on Zoom’s compliance with EU GDPR see: https://zoom.us/gdpr
Image credit: Hope (2017), blue whale skeleton in Hintze Hall, Natural History Museum, London. Photo: Pandora Syperek
06 Oct 2020
08 Oct 2020
20 Oct 2020
Authors of Architecture
22 Oct 2020
Apocalyptic Conjunctures: The Weather of Art History
03 Nov 2020
05 Nov 2020
Observation and Diagnosis: Pathologizing Bodies, Medicalizing Space in the British Empire
17 Nov 2020
18 to 19 Nov 2020
Screening of The Otolith Group’s INFINITY minus Infinity (2019)
19 Nov 2020
Racial Capitalocene: Ecology and Abolition
25 Nov 2020
“Racial Capitalocene: Ecology and Abolition” - Live Q&A with T. J. Demos
26 to 27 Nov 2020
Screening of John Akomfrah's The Nine Muses (2010)
01 Dec 2020
Unstable Boundaries, Ecologies
03 Dec 2020
Final Panel Discussion