- 28 April 2022
- 6:00 – 7:30 pm
- The fourth in a six-part public lecture course on Britain and the World in the Middle Ages: Image and Reality.
- Paul Mellon Centre and Online
This lecture examines five objects and their “biographies” in order to trace Britain’s connections with the medieval globe. Medieval material culture was much more local than it is today, but occasionally artworks and materials travelled considerable distances, their form and meaning metamorphosing over time. For example, in the twelfth century an English craftsman carved delicate foliate designs on a narwhal tusk, likely obtained via traders who sold fur and walrus ivory from as far away as Russia, Greenland and even Newfoundland. Other marvels of nature came from tropical climates, including coconuts which in the Middle Ages were known as ‘nuts of India’ and were commonly transformed into drinking vessels. A delicate painted glass vessel from Egypt or Syria was probably acquired by a pilgrim to the Holy Land, and has been preserved, in part, because a special new leather case was made to protect it after it was brought to England. A glazed porcelain bowl from China was given new English metalwork mounts in the early sixteenth century and may have been valued because it was thought to reveal the presence of poison. Finally, a group of jugs made in fourteenth-century England somehow found their way to what is now Ghana in West Africa, where they were valued highly but were forcibly removed by English troops in 1895.
These and other objects betray Britain’s entanglement with the wider medieval world, and the enduring value placed on craftsmanship and rare or precious materials.
No prior art historical knowledge is necessary.
Registration is required. Please book tickets in the link above.
Please note this event will take place in our Lecture Room, located on the First Floor. Full accessibility information is available here. The event will also be live-streamed via Zoom Webinar.
Guidance for Events
About the speaker
Tom Nickson is the Senior Lecturer in Medieval Art & Architecture at the Courtauld Institute of Art. His research and teaching fall broadly into two categories: Gothic art and architecture across Europe, and encounters between Christian, Islamic and Jewish traditions, especially in medieval Iberia. Many of these issues were addressed in his first book, Toledo Cathedral: Building Histories in Medieval Castile (2015). He is now working on a new book, Architecture in Medieval Iberia: Seven Moments, which will explore architecture across the Iberian Peninsula (including Spain, Portugal and al-Andalus) from the twelfth to the fifteenth century.
07 Apr 2022
Introduction – Britain and the World in the Middle Ages: Image and Reality
14 Apr 2022
Myth – Britain and the World in the Middle Ages: Image and Reality
21 Apr 2022
Maps – Britain and the World in the Middle Ages: Image and Reality
05 May 2022
Movement – Britain and the World in the Middle Ages: Image and Reality
12 May 2022
Museums – Britain and the World in the Middle Ages: Image and Reality