- 31 May 2017
- 6:00 – 8:00 pm
- The exhibition as research
- Paul Mellon Centre
Sir James Thornhill carried out his vast painted scheme at Greenwich Hospital between 1707 and 1726 and his achievement remains unrivalled in the history of British art. Thornhill’s preparatory sketches for this complex cycle of paintings were recently brought together for the first time in an exhibition organised by the Old Royal Naval College with the support of the Paul Mellon Centre for Studies in British Art. The history of the commission was traced through 29 drawings across numerous collections. Thornhill emerged as a skilled draughtsman, and one adept at navigating the fraught party politics and regime changes of Augustan Britain. The project was designed to inform the present Painted Hall conservation project and intended as a contribution both to the study of mural painting as a genre, and to efforts to raise the profile of a talented artist hailed, in his day, as ‘our Ingenious Countryman’. Anya and Richard will be discussing aspects of the exhibition and cataloguing project and the research that informed it.
Image credit: Thornhill, James (1675-1734), Design for the painted ceiling of Painted Hall, Greenwich Hospital (recto) © The Samuel Courtauld Trust, The Courtauld Gallery, London
About the speakers
Anya Matthews is an art and architectural historian and works as Research Curator for the Painted Hall at the Old Royal Naval College, Greenwich where a major conservation project on Sir James Thornhill's decorative scheme is underway. Her PhD at the Courtauld Institute of Art (2015) examined the architecture and political uses of London's livery halls in the seventeenth century. She is a contributor to last year's boo, co-edited by Mark Hallett and published by the Centre with Yale University Press, Court, Country, City: British Art and Architecture, 1660-1735.
Richard Johns is Lecturer in the History of Art. His research centres on art and visual culture in Britain during the long eighteenth century, with a special interest in grand-scale decorative history painting. He joined the department in 2013, having previously worked as a curator of art at the National Maritime Museum, London.
03 May 2017
Research and Experience - Opus Anglicanum: Masterpieces of English Medieval Embroidery at the V&A
Paul Mellon Centre