Sixties Blonde – Pauline Boty

8 November 2023
6:30 – 7:30 pm
A talk as part of the Mellon Lecture Series 'British Blonde: Women, Desire and the Image in Post-War Britain' delivered by Professor Lynda Nead.
Gorvy Lecture Theatre, V&A Museum

These lectures look at post-war Britain through changing styles of femininity that expressed many of the key concerns of the nation in the twenty-five years that followed the end of the Second World War. In the 1950s, American glamour was exported to a war-torn Britain, part of a larger passage of commodities that crossed the Atlantic in this period. In the process, however, something important happened, blonde became British, Marilyn Monroe became Diana Dors. The lectures capture this process as it evolved through the 1950s and 1960s and was subjected to the changing definitions of class, social aspiration and desire that shaped the post-war nation.

Drawing on a wide range of visual media and forms including painting, film, photography, advertising and fashion the lectures offer a new history of the art and culture of post-war Britain.

In the 1960s a new kind of blonde femininity emerged. Part of a new regional and class configuration and a changing moral and sexual environment, Sixties Blonde was described as natural, energetic, impulsive and self-sufficient; an urban figure who embodied modernity and was a staple of fashion photography and sixties cinema. The work of British pop artist, Pauline Boty, expresses many of the tensions for young women in the 1960s, the possibilities and constraints, liberation and collusion. This lecture considers Boty’s work and her image in the context of shifts in morality and sexuality in the period and the broader culture of film and photography in these years.

The Paul Mellon lectures, which are named in honour of the philanthropist and collector of British art, Paul Mellon (1907-1999), were inaugurated in 1994 when Professor Francis Haskell delivered the first series at the National Gallery in London. The model for the series was the Andrew W. Mellon lectures, established in 1949 in honour of Paul Mellon’s father, the founder of the National Gallery of Art in Washington, DC. Co-organised by the Paul Mellon Centre for Studies in British Art and the Yale Center for British Art, the lectures are biennial, given by a distinguished historian of British art. This lecture series will take place at the V&A in London and at the Yale Center for British Art in New Haven.

Tickets: £5 per lecture

Location: V&A - Enter via the Secretariat Gate entrance on Cromwell Road (just past the V&A’s main entrance). All other entrances will be closed.

Entry from 18.00 (arrive at least 10 mins before lecture starts to allow time to walk to the Gorvy Lecture Theatre)

V&A Secretariat Gate Location Map,

About the speaker

Lynda Nead is Pevsner Professor of History of Art at Birkbeck, University of London. She has published widely on a range of art historical subjects and particularly on the history of British visual culture in the nineteenth and twentieth centuries. Her most recent book is The Tiger in the Smoke: Art and Culture in Post-War Britain (Published for the Paul Mellon Centre for Studies in British Art by Yale University Press). She has a number of advisory roles in national art museums and galleries and is a Trustee of the Holburne Museum and of Campaign for the Arts. She is currently writing a book called British Blonde: Women, Desire and the Image in Post-War Britain.